CD, LP, Vinyl record album cover art
View larger image       Image note

Delusions (with bonus tracks)

CD (Item 620373) Gold Mind/Big Break (UK), 1977 — Condition: New Copy
Out Of Stock


4.80 11

One of the best records ever cut by this soulful Philly female trio! The album's one of the first on Salsoul's Gold Mind subsidiary – and it features sparkling club production by the Harris/Baker/Young team – a landmark force not only in Philly disco, but 70s female soul as well – as their backings for groups of this nature are always sensitive to the complexities of the vocals! The record's mostly uptempo – with plenty of soaring tracks that still retain the more soulful sound of the group's early work – and the songwriting's generally tight, a few notches above earlier albums on Warner – showing that their return to the indie fold was a very good move. Titles include the classic "Let No Man Put Asunder" – plus "Doctor Love", "Indian Giver", "Do Me Again", and a great version of Stevie Wonder's "Love Having You Around". CD features lots of bonus tracks – including "Doctor Love (single)", "Love Having You Around (single)", "Indian Giver (single)", "Doctor Love (12" Tom Moulton mix)", "Let No Man Put Asunder (12" Shep Pettibon mix)", and "Let No Man Put Asunder (12" Frankie Knuckles mix)".  © 1996-2015, Dusty Groove, Inc.

We realize that there are many different interpretations of the standard grades used for pre-owned vinyl record albums & CD, so we thought we'd offer you the ones that we are working with, so you have an idea what we mean when we give the grade for a non-new item on our pages.

Used Vinyl Grades

Below are stated conditions for a used vinyl records at Dusty Groove. Grading for the cover should be assumed to be near (within a "+" or "-") the grading for the vinyl. If there is significant divergence from the condition of the vinyl, or specific flaws, these will be noted in the comments section of the item. However, please be aware that since the emphasis of this site is towards the music listener, our main concern is with the vinyl of any used item we sell. Additionally, please note that all of our records are graded visually; considering the volume of used vinyl we handle, it is impossible for us to listen to each record. If we spot any significant flaws, we make every attempt to listen through them and note how they play.

The following grading conditions apply to the vinyl component of an album or single:


This is what it says, that the record is still held fast in shrink-wrap. We tend to be pretty suspicious about these things, so if the shrink-wrap doesn't look original, or if the record seems to have undergone some damage over time, we'll probably take it out of the wrapper to ensure that it's in good shape — which is why we don't have more of these. In some cases the shrink-wrap may be torn in spots, but if it's not possible the record has been taken out and played, the record will still qualify as "Sealed".

Near Mint

As a rule, Dusty Groove does not use the grades of Near Mint (or Mint, for that matter) because in our experience, we find that no records ever qualify for such a high grade. Even sealed records tend to have one or two slight faults, enough to usually qualify them for a grade of NM- or lower. We've often found that records which are clearly unplayed will have a slight amount of surface noise, especially in quieter recordings.

Near Mint - (minus)

  • Black vinyl that may show a slight amount of dust or dirt.
  • Should still be very shiny under a light, even with slight amount of dust on surface.
  • One or two small marks that would make an otherwise near perfect record slightly less so. These marks cannot be too deep, and should only be surface marks that won't affect play, but might detract from the looks.
  • May have some flaws and discoloration in the vinyl, but only those that would be intrinsic to the pressing. These should disappear when the record is tilted under the light, and will only show up when looking straight at the record. (Buddah and ABC pressings from the 70's are a good example of this.)
  • May have some slight marks from aging of the paper sleeve on the vinyl.
  • Possible minor surface noise when played.

Very Good + (plus)

  • Vinyl should be very clean, but can have less luster than near mint.
  • Should still shine under a light, but one or two marks may show up when tilted.
  • Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
  • This is the kind of record that will play "near mint", but which will have some signs of use (although not major ones).
  • May have slight surface noise when played.

Very Good

  • Vinyl can have some dirt, but nothing major.
  • May not shine under light, but should still be pretty clean, and not too dirty.
  • May have a number of marks (5 to 10 at most), and obvious signs of play, but never a big cluster of them, or any major mark that would be very deep. Most marks should still not click under a fingernail.
  • May not look near perfect, but should play fairly well, with slight surface noise, and the occasional click in part of a song, but never throughout a whole song or more.
  • This is clearly a copy that was played by someone a number of times, but which could also be a good "play copy" for someone new.

Very Good - (minus)

  • Vinyl may be dirty, and can lack a fair amount of luster.
  • Vinyl can have a number of marks, either in clusters or smaller amounts, but deeper.
  • This is the kind of record that you'd buy to play, but not because it looked that great. Still, the flaws should be mostly cosmetic, with nothing too deep that would ruin the overall record.
  • Examples include a record that has been kept for a while in a cover without the paper sleeve, or heavily played by a previous owner and has some marks across the surface. The record should play okay, though probably with surface noise.

Good + (plus)

  • Vinyl may be dirty, or have one outstanding flaw, such as a light residue, which could be difficult to clean.
  • May have marks on all parts, too many to qualify as Very Good-, or several deeper marks, but the record should still be ok for play without skips.
  • In general, this is a record that was played a fair amount, and handled without care. A typical example may be a record which has been heavily played by a DJ, and carries marks from slip cueing. Depending on the quality of the vinyl, may play with surface noise throughout.


  • A record that you'd buy to play, cheap, but which you wouldn't buy for collecting.
  • Will have marks across all parts of the playing surface, and will most likely play with surface noise throughout. May have some other significant flaws, such as residue, or a track that skips.
  • In most cases, a poor quality copy of a very difficult to find record.


This is a grade we rarely use, as we try not to sell records in very bad condition, though in some rare cases we will list a record in such bad shape that it does not conform to the standards above. A "Fair" record will have enough marks or significant flaws that it does not even qualify as "Good", but is a copy you might consider for playing, if you're willing to put up with noise and/or flaws. An example might be a recording with surface noise so heavy that it is equal to the volume of the music. For records listed as "Fair", we will describe the extent of the condition in the comments.


Like "Fair", we rarely list records in this condition, as they represent the extreme low end of spectrum. These records typically have multiple serious problems, and we offer them as "relics" or "objects" only — for those who want to at least have a copy of a record, even if it is not really worthy of play, perhaps for the cover alone. For these records, we will describe the extent of the condition in the comments.

Additional Marks & Notes

If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.

Used CD Grade

We have only one grade for non-new CDs at Dusty Groove — "Used CD". This grade is somewhat all-encompassing, but we choose it because we try to offer Used CDs in the best shape possible. All of our Used CDs are guaranteed to play without skipping or flaws. If you purchase a Used CD from Dusty Groove, you have 1 week to play it to determine that it plays correctly — and if it does not, then you may return it for a full refund.

With our Used CDs, you can expect the disc to be free of all but the lightest of surface marks — clean, and not dirty at all. You can also expect the case to be clean (we often change the cases ourselves — putting fresh cases on Used CDs we handle) — and you can expect the booklet to be in good shape, unless noted otherwise. We will list any specific details/defects underneath the item — so look for notes on cutout marks in the case, stamps on the barcode, or details like that.

You might be interested in

CD, LP, Vinyl record album cover art
Gold Mind/Big Break (UK), 1979. New Copy
Rochelle and the girls are in full force on this late 70s Salsoul groover – with production by Norman Harris and Tom Moulton! The opening trio of cuts have the continuously flowing vibe of an extended suite – and it's a really exhilarating 16 minutes of dancefloor soul – with ... CD
CD, LP, Vinyl record album cover art
Epic/Big Break (UK), 1978. New Copy
The second album by Heatwave – and a great effort that's almost as perfectly sublime as the first! Despite their UK origin, these guys really give American late 70s soul a run for its money – hitting in a sweetly compressed sound that fuses the vocals, keyboards, and grooves together ... CD
CD, LP, Vinyl record album cover art
Midsong/Big Break (UK), 1977. New Copy
Not the Golden Girls of senior TV fame – but a trio of lovely ladies operating under the Silver Convention banner – really soaring here alongside warm disco arrangements from maestro Silvester Levay! There's maybe a bit more warmth here than some of the previous Silver Convention ... CD
CD, LP, Vinyl record album cover art
RCA/Big Break (UK), 1970. New Copy
The beginning of an amazing run on RCA for vocalist Jon Lucien – working here in a sublime blend of styles that's way beyond simple soul or standard jazz! Lucien's got a sound that's unlike anything we can think of – apart from the countless imitators who've tried for his style in ... CD
CD, LP, Vinyl record album cover art
Epic/Shout (UK), 1976/1977. New Copy
The post-Stax, Epic southern soul of the Soul Children – 1976's Finders Keepers and 1977's Where Is Your Woman Tonight back-to-back! Finders Keepers is a strong little album by the group – recorded with a very different sound than the Stax work – but one that's still totally ... CD
CD, LP, Vinyl record album cover art
Philadelphia International/Big Break (UK), 1974. New Copy
Great work by Bunny Sigler – and a perfect bridge between his earlier Philly soul from the late 60s, and his later disco from the end of the 70s! Bunny's in perfect form vocally – and the record is a super-strong batch of tracks that deserves to be well up there in the Gamble/Huff ... CD
CD, LP, Vinyl record album cover art
Epic/Big Break (UK), 1982. New Copy
80s grooving hard with Heatwave – still going strong on this album from 1982, taking that smooth funky style they helped forge in the 70s, and pushing it to a whole new level on this set! Over the years, the group continue to show a tremendous depth as a soul act, working here well on both ... CD
CD, LP, Vinyl record album cover art
Now Again, Late 60s/Early 70s. New Copy CD & Book
An artist you might not know at all – but one you'll be digging plenty after hearing this wonderful set! Richard Marks is a guitarist and singer with a very funky, very gritty sound – really right up there with the best of the funky 45 underground of the time – which makes this ... CD
CD, LP, Vinyl record album cover art
Glades/Athens Of The North (UK), Mid 70s. New Copy
One of the most unique albums to ever come out of the Miami soul scene of the 70s – a sublime set of work that we'd easily rank right up there with the best material of the time from Donny Hathaway or Stevie Wonder! Milton Wright has a really jazzy groove to his music – and he mixes ... CD
CD, LP, Vinyl record album cover art
Your Good Fortune EP
Anti, 2015. New Copy
Just a four-track set from soul legend Mavis Staples – but a record that's got more than enough feeling to beat most full length albums on the market! The four tracks here were all produced by Son Little – and have this unusual approach that mixes acoustic roots with some slight ... CD
CD, LP, Vinyl record album cover art
Warner/Expansion (UK), 1979. New Copy
A sweet musical fantasy from the great Eugene Record – known by most as one of the driving forces of The Chi-Lites, and the whole Brunswick soul scene as well! By this point in his career, Record's come a long way from his roots in Chicago soul – and works at a level that's much more ... CD

⇑ Top