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Black vinyl that may show a slight amount of dust or dirt.
Should still be very shiny under a light, even with slight amount of dust on surface.
One or two small marks that would make an otherwise near perfect record slightly less so.
These marks cannot be too deep, and should only be surface marks that won't affect play,
but might detract from the looks.
May have some flaws and discoloration in the vinyl, but only those that would be
intrinsic to the pressing. These should disappear when the record is tilted under
the light, and will only show up when looking straight at the record.
(Buddah and ABC pressings from the 70's are a good example of this.)
May have some slight marks from aging of the paper sleeve on the vinyl.
Possible minor surface noise when played.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Incredible work from Johnny Hodges – the kind of material that made his time at Verve so great, and a real showcase for that amazing tone on alto sax! The format here is a largeish group one, but Johnny steps out with some beautiful solos that are very much at the front of the mix – ... LP, Vinyl record album
One of the first Verve albums to push Johnny Hodges away from Ellington and into the soul jazz mode that served him well as a leader in the 60s – recorded here with Wild Bill Davis on organ, Sam Jones on bass, Louis Hayes on drums, and the great Les Spann on both guitar and flute! Spann's ... LP, Vinyl record album
A really beautiful Verve session from Johnny Hodges – recorded with a style that's a bit looser than some of his others, and a real focus on Johnny's wonderfully biting tone! The group's a largeish one, playing in an Ellingtonish mode, but Hodges is right out front in the mix, dominating ... LP, Vinyl record album
A pretty darn great album – with a wonderful mix of JATP swing and strong-handed drumming by the leaders. The material was mostly recorded at a Jazz At The Philharmonic show at Carnegie Hall in 1952, and although the main focus appears to be Krupa and Rich's drum work, there's actually some ... LP, Vinyl record album
A real high point in Jimmy Smith's famous 60s run at Verve Records – a key collaboration with arranger Lalo Schfrin, who brings a great blend of jazz and soundtrack styles to Jimmy's famous groove on the Hammond! Lalo's backings are totally great – with touches of Latin and Brazilian ... LP, Vinyl record album
No hokey organ grinder here – no monkey on a leash, begging for change on a street corner – just a smoking little trio session that stands as one of the best records that Jimmy Smith ever recorded for Verve! The album's got a groove that's similar to Jimmy's early years at Blue Note ... LP, Vinyl record album
Ahhh . . . Diz in the 50s. What a great thing! He's post bop, post cubop, but still has all the best elements of those eras – wrapped up into a more complicated Latin-tinged style that's filled with warmth, humor, and some pretty compelling grooves. This set is one of Diz's best from the ... LP, Vinyl record album
A really sweet little album from guitarist Kenny Burrell – one in which he takes older tunes ("a generation ago"), and updates them with a sweetly compressed Verve 60s groove ("today"!) The record features 2 small groups – one with Ron Carter, Grady Tate, and Phil ... LP, Vinyl record album
A classic west coast recording by Stan – recorded at the Shrine Theater in LA, with a group that includes Bob Brookmeyer on trombone, John Williams on piano, Art Madigan on drums, and Bill Anthony on bass. The tracks are long with that mellifluous Getz swing to them – not really modern ... LP, Vinyl record album