Far-reaching sounds from The Flock – a group who were maybe one of the best American acts at the end of the 60s to blend trippy rock with the big new wave of jazz fusion! These guys definitely use horns in a way that link them to the chunky groove of early work by Chicago or Blood Sweat & Tears – but they're also clearly going for a more long-haired vibe, too – especially when they open up on some acoustic stringed instrumentation – such as 12-string guitar or violin, both of which are handled by Jerry Goodman in a really great way! These instruments really shape some of the sound of the set – especially the violin when it's used in these freewheeling passages that might give Jean-Luc Ponty a run for his money – but there's also a core, tight soulful sound that balances things out nicely – as does some of the heavy drums and fuzzy guitar! Titles include "Clown", "I Am The Tall Tree", "Store Bought Store Thought", and "Truth" – plus a very cool funky cover of The Kinks' "Tired Of Waiting". (360 Sound stereo pressing. Cover has light wear.) © 1996-2017, Dusty Groove, Inc.
We realize that there are many different interpretations of the standard grades used for pre-owned vinyl record albums & CD, so we thought we'd offer you the ones that we are working with, so you have an idea what we mean when we give the grade for a non-new item on our pages.
Below are stated conditions for a used vinyl records at Dusty Groove. Grading for the cover should be assumed to be near (within a "+" or "-") the grading for the vinyl. If there is significant divergence from the condition of the vinyl, or specific flaws, these will be noted in the comments section of the item. However, please be aware that since the emphasis of this site is towards the music listener, our main concern is with the vinyl of any used item we sell. Additionally, please note that all of our records are graded visually; considering the volume of used vinyl we handle, it is impossible for us to listen to each record. If we spot any significant flaws, we make every attempt to listen through them and note how they play.
The following grading conditions apply to the vinyl component of an album or single:
If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.