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then checkout as usual.
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Used CD Grade
We only use the grade "Used CD" for non-new CDs.
This all-encompassing grade was chosen it because we only buy and offer
used CDs in the best possible condition.
When you purchase a used CD you can expect the disc to be free of all but the
lightest of surface marks, the case to be clean (we often change the cases ourselves),
and the booklet to be in good shape.
Used CDs may show some signs of use, but if there are significant details or
defects we will describe the item's condition (just like we do with LPs),
so look for notes on cutout marks, stickers, promo stamps or other details before ordering.
All of our used CDs are guaranteed to play without skipping or flaws.
After you receive a used CD from Dusty Groove, you have 1 week to play it to determine
that it plays correctly.
If it does not, you can request a return for a full refund.
An album of incredible beauty – and one of the key early sides that Shorter cut for Blue Note! It's nearly impossible to describe the genius of these records without playing them – and upon playing, all words disappear in the brilliance of Shorter's incredible tone, solo imagination, ... CD
A perfect illustration of the rich new directions Wayne Shorter was taking at the start of the 70s – an amazing flurry of sounds and styles that's light years ahead of where he began in the 60s! Shorter's one of those players who was already great at the start – an amazing tenorist, ... CD
Two CDs worth of Wayne Shorter's Blue Note recordings – what more could a jazz fan ask for? Without a doubt, Shorter ranks among the most significant jazz composers for small ensembles of the modern era, and it's easy to see why on these recordings, where his vision was fully formed, but ... CD
A perfect illustration of the rich new directions Wayne Shorter was taking at the start of the 70s – an amazing flurry of sounds and styles that's light years ahead of where he began in the 60s! Shorter's one of those players who was already great at the start – an amazing tenorist, ... CD
A very unusual album for Wayne Shorter – recorded right around that 1970 point when Duke Pearson was exploring formats for Blue Note artists that included larger, often electric arrangements, pointing the way towards some of the later 70s soul jazz work on labels like Kudu or CTI! This set, ... CD
A great Wayne Shorter session from the mid 60s – recorded then, but not issued until 1979, for some incredibly unexplained reason – especially given the strength of the set! The group is distinctly modern, and features Freddie Hubbard on trumpet, James Spaulding on alto, and McCoy ... CD
An album of incredible beauty – and one of the key early sides that Shorter cut for Blue Note! It's nearly impossible to describe the genius of these records without playing them – and upon playing, all words disappear in the brilliance of Shorter's incredible tone, solo imagination, ... CD
Beautiful work from Wayne Shorter – a record that is as complicated as it is compelling, and which shows a real return to the soulful genius of his 70s work. Some of the tracks on the set features Shorter working in a smaller setting, while others add in strings, percussion, and assorted ... CD
An incredible album – one of our favorite Blue Notes ever! Despite the fact that the album's a spare quartet session, the record is one of Wayne Shorter's richest – and features his gutsy young tenor soloing insanely with a rhythmically intense combo that includes Herbie Hancock on ... CD
Don't let the title fool you, as the album's hardly an "etcetera" – not some run-on work from Wayne Shorter, but a real lost cooker from his 60s Blue Note years! The record's got a very sharp-edged quartet sound – a bit modern and edgey at times, with sharp tenor lines from ... CD
A surprisingly wonderful album from Artie Shaw – one that takes his older groove and nicely strips it down for the 50s, and which features some especially great guitar work from Tal Farlow! Other players in the group include Hank Jones on piano, Joe Roland on vibes, Tommy Potter on bass, and ... CD