This image is a general representation of the item and the actual product may differ slightly in terms of color shading, logo placement, borders, or other small details. Used items may have various cosmetic differences as well.
Black vinyl that may show a slight amount of dust or dirt.
Should still be very shiny under a light, even with slight amount of dust on surface.
One or two small marks that would make an otherwise near perfect record slightly less so.
These marks cannot be too deep, and should only be surface marks that won't affect play,
but might detract from the looks.
May have some flaws and discoloration in the vinyl, but only those that would be
intrinsic to the pressing. These should disappear when the record is tilted under
the light, and will only show up when looking straight at the record.
(Buddah and ABC pressings from the 70's are a good example of this.)
May have some slight marks from aging of the paper sleeve on the vinyl.
Possible minor surface noise when played.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
A really cool concept for a record from Bud Shank – one that has the reedman on some nicely moody flute, with backing from a group that features Joe Pass on guitar! The record's a key entry in that short 60s genre of folk-meets-jazz – and Shank brings some great tones to bear on the ... LP, Vinyl record album
Really beautiful work from Bud Shank – the kind of set that showed everyone very early that he was way more than just a typical reedman! The set's divided up into two sweet variations – side one a small combo date with Bob Brookmeyer on trombone and a bit of strings to warm things up ... LP, Vinyl record album
A beautifully melodic session from Bud Shank – one of his great late 50s dates with reedman Bob Cooper – recorded in quintet format with an easygoing groove! Shank plays both alto and flute, and Cooper tenor and oboe – pairings that sound great hear as they shift back and forth ... LP, Vinyl record album
A gem of a set from Walter Bishop Jr – an extremely soulful little session that stands nicely next to his famous dates for the Black Jazz label! The vibe here is a bit more open than those records, but no less righteous – and Bishop's on keyboards in a great group with Rene McLean on ... LP, Vinyl record album
Classic Chicago avant garde jazz, recorded at Peace Church New York by Ornette Coleman in 1970, and featuring Leroy Jenkins, Anthony Braxton, Leo Smith, Richard Davis, Steve McCall, and Muhal Richard Abrams. The whole LP's one long track called "No More White Gloves", and the sound is a ... LP, Vinyl record album
One of the last great albums that Hank Mobley ever cut! Although Mobley's 70s output was nothing compared to his 60s Blue Note work, this 1972 session for Cobblestone/Muse is a winner, and features the aging tenorist co-leading a crack quintet with Cedar Walton, and featuring Billy Higgins, Sam ... LP, Vinyl record album
A real gem from Woody Shaw's greatest period – a very hip sextet session, recorded with Hayes, Cook, Shaw, and a rhythm section that includes Ronnie Matthews on piano, Stafford James on bass, A real gem from Woody Shaw's greatest period – a very hip sextet session, recorded with Hayes, ... LP, Vinyl record album
An 80s issue of amazing early work from the hip team of Tony Scott and Bill Evans – Scott blowing modernist clarinet, with great piano from Bill – and rhythm from Jimmy Garrison on bass and Pete LaRoca on drums. Titles include "Garrison's Raiders", "Stella By ... LP, Vinyl record album