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Black vinyl that may show a slight amount of dust or dirt.
Should still be very shiny under a light, even with slight amount of dust on surface.
One or two small marks that would make an otherwise near perfect record slightly less so.
These marks cannot be too deep, and should only be surface marks that won't affect play,
but might detract from the looks.
May have some flaws and discoloration in the vinyl, but only those that would be
intrinsic to the pressing. These should disappear when the record is tilted under
the light, and will only show up when looking straight at the record.
(Buddah and ABC pressings from the 70's are a good example of this.)
May have some slight marks from aging of the paper sleeve on the vinyl.
Possible minor surface noise when played.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Includes their classic "I'm A Man", plus "Look Away", "Dimples", "Every Little Bit Hurts", "Midnight Rain", and the great cuts "I Can't Get Enough Of It" and "Stevie's Blues", written by Steve Winwood, who did all the ... LP, Vinyl record album
US pressing of an early Island Records classic – with cuts that include "Gimme Some Lovin", "Hammer Song", "It Hurts Me So", "Somebody Help Me", "Here Right Now", "Trampoline", and "Sittin & Thinkin". LP, Vinyl record album
A huge album from Traffic – a set that was first given to the world in a strange-shaped cover – which seemed to grace countless record collections back in the 70s! The group is expanded to a sextet here – with bass from Rick Grech and percussion from Rebop Kwaku Baah – both ... LP, Vinyl record album