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Vinyl should be very clean, but can have less luster than near mint.
Should still shine under a light, but one or two marks may show up when tilted.
Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
This is the kind of record that will play "near mint", but which will have
some signs of use (although not major ones).
May have slight surface noise when played.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
The group's second album – with a few tracks still produced by Eugene McDaniels, and the rest handled by Cashman & West. Titles include "Wanna Dance", "The Prophet", "Stayed Away Too Long", "Throw Down", and "Telephone". LP, Vinyl record album
The second set from this early 80s disco trio – a Tony Valor side project, served up with all the soaringly soulful lines we love in his work from the 70s! Fantasy features two male singers and one female – trading back vocals nicely over catchy rhythms that sparkle with plenty of soul ... LP, Vinyl record album
Wonderful early work from The Trammps – recorded before the group got a bit too bogged down in their own disco fame, when they were still capable of hitting that tight, right Philly club groove! The album's got a simple brilliance that sparkles almost more than the Gamble & Huff work at ... LP, Vinyl record album
Melba Moore gets some great help here from the Philly soul duo of McFadden & Whitehead – whose soaring styles proves to be a perfect fit for her amazing voice! Melba had cut some great work before this set, but here things really seem to come together – her amazing range, her ... LP, Vinyl record album
A set that definitely lives up to its title – a stone stormer from Brainstorm – one of the tightest funky ensembles of their generation, and one of the few who could go deep while still laying down a groove! The set's got a perfect balance of modes – enough of the appeal of ... LP, Vinyl record album
Havana Candy, indeed – as singer Patti Austin's in her sweetest mode of the 70s – stepping off of years of background vocals for others, and really emerging as a great soul star on her own! Patti got the chance to cut some soul singles back in her early days – but work like this ... LP, Vinyl record album
A tasty double-live set from Al Green – one that has him working through longer versions of tunes than you'd hear on his studio albums, and really doing great in front of an appreciative Japanese crowd! The overall approach here is a bit more modern than on some of his older Hi albums – ... LP, Vinyl record album
Music from King Floyd, Barbara Acklin, Tyrone Davis, Marvin Gaye, Brook Benton, the Detroit Emeralds, Bloodstone, the Dells, William Bell, the Dramatics, Denise LaSalle, and more. LP, Vinyl record album
Nice lost bit of Chicago female soul, produced by the Ohio Players, and with a sound that sounds a lot like their Mercury albums of the time – that is, with some hard slap-bass funk on most cuts, and some slower spacier sounds on others. Includes one of our fave tracks these days, the spacey ... LP, Vinyl record album
One of the most enduring albums on the Prelude label, and a great bit of modern soul by James "D-Train" Williams. Hubert Eaves produced the album, and he added lots of tasty electro keyboards to the set, played with his usual jazzy touches and a nice flourish that gives Williams' voice a ... LP, Vinyl record album
Funky soul from Johnnie Taylor – a set that mixes tight core grooving with some larger arrangements from Bert Keyes and Rudy Robinson – a perfect blend that shows why Taylor easily stood out from some of his bluesy contemporaries! It's clear that Johnnie's just the right guy to handle ... LP, Vinyl record album