This image is a general representation of the item and the actual product may differ slightly in terms of color shading, logo placement, borders, or other small details. Used items may have various cosmetic differences as well.
Black vinyl that may show a slight amount of dust or dirt.
Should still be very shiny under a light, even with slight amount of dust on surface.
One or two small marks that would make an otherwise near perfect record slightly less so.
These marks cannot be too deep, and should only be surface marks that won't affect play,
but might detract from the looks.
May have some flaws and discoloration in the vinyl, but only those that would be
intrinsic to the pressing. These should disappear when the record is tilted under
the light, and will only show up when looking straight at the record.
(Buddah and ABC pressings from the 70's are a good example of this.)
May have some slight marks from aging of the paper sleeve on the vinyl.
Possible minor surface noise when played.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
One of the great albums that Pee Wee Russell recorded for Impulse during the late 60's, when they brought him back for some great comeback LPs in a number of different settings. This one has him playing as the main soloist with Oliver Nelson's orchestra. As with most of Nelson's work from the 60's ... LP, Vinyl record album
A lost gem from Keith's "with horns" period – a quintet session from the mid 70s, recorded with a group that features Dewey Redman on tenor, plus Charlie Haden on bass, Paul Motian on drums and percussion, and Guilherme Franco on additional percussion. The feel is a bit straighter ... LP, Vinyl record album
A beautiful record – but that's no surprise, since most of the later work of Coleman Hawkins tends to be great! The setting is quite laidback – and Hawkins' time-weathered tenor is placed in a perfect setting with Tommy Flanagan on piano, Major Holley on bass, and Eddie Locke on drums. ... LP, Vinyl record album
A tremendous little album from Sonny Rollins – one of his most sharp-edged sessions of the mid 60s, and a bold departure from some of his previous work for RCA! The album has a crackling sense of energy that more than lives up to the exclamation point in the title – a starker quality ... LP, Vinyl record album
Searing live work from Gato Barbieri – a brilliant little album that follows on the spirit of his other Latin America sessions for Impulse! The format here is similar to those studio outings – an organic blend of percussion, keyboards, and sax – all bubbling together in a highly ... LP, Vinyl record album
A pivotal session for Gil Evans – one that brought his genius to the American public strongly and successfully, without the help of Miles Davis! Sure, Gil had recorded albums as a leader before this one – but the sparkling quality of this set is right up there with the charts he ... LP, Vinyl record album
A record that's a lot more jazz than you'd guess from the title – a seminal set from the mighty Mel Brown! The "blues" here are hardly the familiar kind – and instead, the album really stresses the more soul-based sound of Mel Brown's work – thanks to some very groovy ... LP, Vinyl record album
One of the most beautiful albums that Charlie Haden ever recorded – and if he only ever appeared on one record in his life, we'd still love him tremendously for this one! The album has a feel that's very much in keeping with both the "liberation" and "orchestra" in the ... LP, Vinyl record album
A great live set recorded in 1962 with some of Cal's best players in the group – pianist Lonnie Hewitt and drummer John Rae, joined by bassist Freddie Schreiber. The groove's a bit less Latin than usual, but the jazz vibe is very strong – and Tjader really shines with the local crowd ... LP, Vinyl record album
A classic Blue Note meeting of two of the label's top talents in the early 60s – Hammond hero Jimmy Smith, and the up-and-rising Stanley Turrentine on tenor! Turrentine's simply great at this point – playing with a raspy edge on the bottom of his tone, sounding dark and mysterious ... LP, Vinyl record album