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Vinyl may be dirty, and can lack a fair amount of luster.
Vinyl can have a number of marks, either in clusters or smaller amounts, but deeper.
This is the kind of record that you'd buy to play,
but not because it looked that great. Still, the flaws should be mostly cosmetic,
with nothing too deep that would ruin the overall record.
Examples include a record that has been kept for a while in a
cover without the paper sleeve, or heavily played by a previous owner
and has some marks across the surface. The record should play okay,
though probably with surface noise.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
A brilliant pairing of the Three Sounds trio with the larger arrangements of reedman Oliver Nelson – easily one of the most soulful bandleaders of the 60s, and a talent who really helps open up the trio's groove! The piano of Gene Harris is nice and sharp – played with a soulful sock ... LP, Vinyl record album
A treasure trove of rare jazz recordings – all material that was cut during the short run of the Beehive label – that excellent Chicago imprint that was based along the ideals of recordings first put in place by Blue Note and Prestige! Beehive also grabbed a lot of players who worked ... LP, Vinyl record album
Genius, pure genius! This album's possibly the most perfectly realized set from the team of Bobby Hutcherson on vibes and Harold Land on reeds – a pair who work here with an electric bass player and a bit of electric piano (the latter from Joe Sample) – hitting territory that's ... LP, Vinyl record album
Tremendous work from Rodney Franklin – one of our favorite soulful fusion players from the end of the 70s! The album's a keyboard delight through and through – and Rodney plays both acoustic and electric piano, often on the same track – which creates this nicely expanded sound ... LP, Vinyl record album
1979 session recorded in Stuttgart, and one that has the master African piano player in the company of a good quartet that features Talib Qadr on reeds and the occasional vocal. Dollar Brand sings a bit himself, and on part of the record, he also picks up a soprano saxophone, which he plays with ... LP, Vinyl record album
This might well be the best album that Les McCann ever cut during the 70s! It's got some killer electric piano riffs, of the sort that are being sampled heavily today by the kids, and which are getting his music to a whole new generation. The tracks have a tight spacey funk sound, and they don't ... LP, Vinyl record album
Baritone madness, and a lot more too – a set that's full of surprises, and which may well be one of the most striking records on the Beehive label from Chicago! The date not only features twin terrors on baritone sax – Nick Brignola and Pepper Adams, both blowing at the height of their ... LP, Vinyl record album
A key meeting between the Three Sounds trio and the amazing Monk Higgins – done at a time when Higgins was taking his Chicago-crafted grooves to work on the west coast – and doing some really wonderful productions with Dee Ervin! The set features full Higgins backings throughout – ... LP, Vinyl record album
One of the few standout 70s sessions by Ornette Coleman – a wonderfully rhythmic record that shows Ornette's expanding musical vision at the time! Most of the record is dominated by the guitar-heavy "Theme From A Symphony" – a very harmelodic number that takes up all of side ... LP, Vinyl record album
One of Shirley Scott's best records on Prestige (and in fact, one of the few really good ones). Shirley plays a bunch of Horace Silver compositions like "Moon Ray" and "Senor Blues", and the set's got a nice spiritual feel to it, without the hokiness of some of Shirley's other ... LP, Vinyl record album
One of the hardest-jamming Return To Forever albums – recorded with the post-Brazilian lineup that includes Chick Corea on keyboards, Stanley Clarke on bass, Lenny White on percussion, and Al DiMeola on guitars. Corea's very firmly in the lead – stretching out in heavy keyboard romps ... LP, Vinyl record album