Bill Evans : Waltz For Debby (LP, Vinyl record album) -- Dusty Groove is Chicago's Online Record Store
Skip navigation
Scripting is disabled or not working. dustygroove.com requires JavaScript to function correctly.
Style sheets are disabled or not working. dustygroove.com requires style sheets to function correctly.
CD, LP, Vinyl record album cover art
Enlarge       Note

Waltz For Debby

LP (Item 61650) Riverside, 1961 — Condition: Near Mint-
Also available
Bill Evans — Waltz For Debby (180 gram pressing) ... LP 36.99
An incredible album from Bill Evans – and maybe THE record you need in your collection if you're trying to understand his contribution to jazz! The album's one of Evan's first sides from the Village Vanguard – and features the legendary trio that included Scott LaFaro on bass and Paul Motian on drums – both players who could shake free from conventional rhythmic roles in a piano trio, yet who also support Evans' lyrically modal playing here beautifully! The tracks are a bit longer than Bill's studio sides from the time, allowing for even more magical interplay on the keys – and titles include "My Foolish Heart", "Waltz For Debby", "Detour Ahead", "My Romance", "Some Other Time", and "Milestones".  © 1996-2024, Dusty Groove, Inc.
(Recent OJC pressing.)

Near Mint - (minus)

  • Black vinyl that may show a slight amount of dust or dirt.
  • Should still be very shiny under a light, even with slight amount of dust on surface.
  • One or two small marks that would make an otherwise near perfect record slightly less so. These marks cannot be too deep, and should only be surface marks that won't affect play, but might detract from the looks.
  • May have some flaws and discoloration in the vinyl, but only those that would be intrinsic to the pressing. These should disappear when the record is tilted under the light, and will only show up when looking straight at the record. (Buddah and ABC pressings from the 70's are a good example of this.)
  • May have some slight marks from aging of the paper sleeve on the vinyl.
  • Possible minor surface noise when played.

Additional Marks & Notes

If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.



You might be interested


Bill Evans

Crosscurrents
Fantasy, 1978. Near Mint-
A later session from Bill Evans – but one that features some great work from Lee Konitz on alto and Warne Marsh on tenor – one of Evans' last sessions with horn players! Eddie Gomez plays bass – and titles include "Eiderdown", "Pensativa", "Everytime We ... LP, Vinyl record album

Bill Evans

We Will Meet Again
Warner, 1979. Near Mint-
One of the few larger group Bill Evans sessions from the later years – an album that features sax and flute from Larry Schneider and trumpet from Tom Harrell – in addition to core trio instrumentation from Bill on piano, Marc Johnson on bass, and Joe LaBarbera on drums. The added horns ... LP, Vinyl record album

Bill Evans

New Conversations
Warner, 1978. Very Good+
A wonderful late 70s albums from Bill Evans – showing a further evolution of his solo piano/overdub approach! New Conversations is a record that follows strongly on the format of Bill's famous "Conversations" sessions for Verve in the 60s – and like those dates, it features ... LP, Vinyl record album
Verve, 1968. Very Good+
Bill Evans' first famous appearance at the Montreux Jazz Festival – a great 60s trio session, with Eddie Gomez on bass and Jack DeJohnette on drums! The tunes are mostly relatively familiar ones, but the ensemble on the set gives them a freer and more lyrical feel than you might expect ... LP, Vinyl record album
Warner, 1977. Sealed
Wonderful late work from piano legend Bill Evans – a set that was recorded in 1977, but not issued until after his death in 1980 – at which point it became an instant essential in his catalog! As with so many of Bill's 70s recordings, the session benefits from the bass work of Eddie ... LP, Vinyl record album

Bill Evans

Trio '65
Verve, 1965. Very Good+ Gatefold
Fantastic Verve Records material from Bill Evans – a set that follows the no-nonsense trio style of his Riverside material, but which definitely shows the evolving Evans style of the 60s! The group here is a nicely mellow one – bassist Chuck Israels, whose sound is tremendous – ... LP, Vinyl record album
Riverside, 1959. Near Mint-
One of a handful of late 50s albums that Chet Baker recorded for Riverside – all of which are some of his last great 50s work in the studio, before a shift in the 60s to a wider-ranging approach to his music! The style here is definitely in the "classic" Baker mode set down for ... LP, Vinyl record album

Johnny Griffin

Grab This
Riverside, 1962. Very Good
A really obscure little session from tenorist Johnny Griffin – and one of his few dates from the time cut with an organist – in this case the up-and-coming LA player Paul Bryant! Bryant's probably best known for his cookers with Curtis Amy, and he hits a similar mode here – by ... LP, Vinyl record album

Kenny Drew

This Is New
Riverside, 1957. Near Mint-
The "new" thing here is that Kenny's playing with horns – always a refreshing change from his trio sides, and a setting that really brings out an edgier side to his playing. About half the record features a quintet with Donald Byrd and Hank Mobley, plus Wilbur Ware on bass and GT ... LP, Vinyl record album

Tony Parenti's Ragpickers

Ragtime!
Riverside, 1956. Very Good-
Feauring "Wild Bill" Davison on cornet, Jimmy Archey on trombone, Ralph Sutton on piano, Danny Barker on banjo and Baby Dodds on drums. LP, Vinyl record album
Riverside/Milestone, 1962. Sealed 2LP Gatefold
Two great 60s albums from vibist Milt Jackson – both a bit unusual in format! On Big Bags, Jackson takes on a set of 10 standards (mostly) with some help from Tadd Dameron and Ernie Wilkins on larger group arrangements! Milt's the primary soloist, buoyed by an orchestra built around a ... LP, Vinyl record album

Cannonball Adderley

Know What I Mean?
Riverside, 1961. Near Mint-
Beautiful early work from Cannonball Adderley – and a record that's quite different than most of his better known sets from the time! The album's more spare and stripped-down than usual – with Cannon's alto in a quartet alongside Bill Evans on piano, Percy Heath on bass, and Connie Kay ... LP, Vinyl record album
 



⇑ Top