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Bamba-Samba Bossa Nova

LP (Item 616274) Everest, 1959 — Condition: Near Mint-
$14.99 ...

LP, Vinyl record album

(€13.27 || £11.53 || ¥1665) (approx.)

A rare bit of early bossa jazz from the US – an obscure 1959 session by Charlie Byrd, and one that predates most of his more famous work on Riverside, Columbia, and Verve! The session's a bit different than most of Charlie's lighter bossa recordings – in that it features his acoustic guitar work over bigger band backings from Woody Herman – done in modes that borrow a sense of sound and space from bossa nova, but which also share plenty of modern jazz touches as well. Arrangers for the record are Sid Feller and Ralph Burns – the latter of whom does a tremendous job with his 4-part "Summer Sequence" – a tone-based Kenton-esque suite that's a real standout part of the record, even if it's not as bossa-styled as some of the other work. Other tunes are all originals by Charlie – and include "Bamba Samba", "Love Song Ballad", "Prelude A Cha Cha", and "Original #2". (Cover has some very light wear, and a small sticker in one corner.)  © 1996-2017, Dusty Groove, Inc.

Near Mint - (minus)

  • Black vinyl that may show a slight amount of dust or dirt.
  • Should still be very shiny under a light, even with slight amount of dust on surface.
  • One or two small marks that would make an otherwise near perfect record slightly less so. These marks cannot be too deep, and should only be surface marks that won't affect play, but might detract from the looks.
  • May have some flaws and discoloration in the vinyl, but only those that would be intrinsic to the pressing. These should disappear when the record is tilted under the light, and will only show up when looking straight at the record. (Buddah and ABC pressings from the 70's are a good example of this.)
  • May have some slight marks from aging of the paper sleeve on the vinyl.
  • Possible minor surface noise when played.

Additional Marks & Notes

If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.



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