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Black vinyl that may show a slight amount of dust or dirt.
Should still be very shiny under a light, even with slight amount of dust on surface.
One or two small marks that would make an otherwise near perfect record slightly less so.
These marks cannot be too deep, and should only be surface marks that won't affect play,
but might detract from the looks.
May have some flaws and discoloration in the vinyl, but only those that would be
intrinsic to the pressing. These should disappear when the record is tilted under
the light, and will only show up when looking straight at the record.
(Buddah and ABC pressings from the 70's are a good example of this.)
May have some slight marks from aging of the paper sleeve on the vinyl.
Possible minor surface noise when played.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
A trio set from Charlie Byrd – with Keter Bets on bass and Butty Deppenschmidt on drums – with titles that include "Fantasia On What Side Are You On", "Just Squeeze Me", and "Why Was I Born". LP, Vinyl record album
Hard to figure out where this material is from – and the notes don't help much! Side one contains "Jitterbug Waltz" and "Music Matador" – both pretty clearly from the sessions Dolphy cut with Alan Douglas. Side two, though, features three tunes – "Juggin ... LP, Vinyl record album
An unusual record for Randy Weston – a freewheeling live set recorded at Montreux in 1974, with Billy Harper joining Weston's group on tenor and flute, playing long spiritual solos that work wonderfully next to Weston's spiralling piano lines! Harper's searching quality really opens up the ... LP, Vinyl record album
Beautiful modernist work from Kenton – one of the first albums to cull his genius together as a whole, filled with the kind of tracks that perfectly sum up his unique approach at the time! If you've ever wondered what makes Kenton so great, this is the album to begin with – as it's ... LP, Vinyl record album
Donald Byrd's second foray into the "with voices" genre – done with the same arranging talents of Coleridge Perkinson, the lyrical modernist who made Donald's A New Perspective such a success! The group that plays with Byrd is excellent, and includes Freddie Roach, Herbie Hancock, ... LP, Vinyl record album
A landmark first album from drummer Norman Connors – a spiritual jazz masterpiece that builds wonderfully on the post-Coltrane tradition! Norman is years away from his smoother soul recordings at this point, and coming out of a righteous jazz background that included work with Marion Brown ... LP, Vinyl record album
Soulful keyboards from Les McCann – and a bit of vocals too – all set to some mighty sweet soul based backings! The overall sound is fairly well produced, with Les' piano floating on some lofty fusion arrangements – but the keyboard work is great, and the record remains very ... LP, Vinyl record album
Great work by a player we've always loved – but who rarely gets his due! John LaPorta had one of the sharpest altos of the 50's, but for some reason, his talents were not nearly as recognized as those of similar players like Lee Konitz and Charlie Mariano. His earlier work with Mingus has ... LP, Vinyl record album
An essential bit of jazz funk from Donald Byrd and Larry Mizell! The groove's very similar to their classic Places & Spaces LP, and the record's got loads of cool spacey tracks with hot funky trumpet from Donald, and cool waves of synth and sound from Larry. The title cut's a great groover, ... LP, Vinyl record album