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For Sure!
LP (Item 61600) CBS, 1980 — Condition: Near Mint-
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Really rich sounds from Woody Shaw – one of his sublime studio sessions for Columbia Records – a major label, but one who really let Woody explore some new ideas in his music! There's a depth here that surpasses some of Shaw's straight small group sessions – really magnificent sounds that push the boundaries of soulful jazz at the end of the 70s, yet still hold onto all the best aspects of Woody's roots – kind of a distillation of all the soulful, spiritual experiments of the past 10 years – delivered in ways that really help them reach out to new ears! The core group features Woody on trumpet and flugelhorn, Larry Willis on piano, Stafford James on bass, and Victor Lewis on drums – but each track features some key guest appearance too – by artists who include Gary Bartz on alto, Curtis Fuller and Steve Turre on trombones, Carter Jefferson on tenor and soprano sax, James Spaulding on flute, Nana Vasconcelos on percussion, and Judi Singh on vocals – singing beautifully on the cuts "Time Is Right" and "Why" – alongside other instrumental numbers that include "Opec", "Josua C", "Isabel The Liberator", and "Ginseng People". © 1996-2024, Dusty Groove, Inc.
Near Mint - (minus)
- Black vinyl that may show a slight amount of dust or dirt.
- Should still be very shiny under a light, even with slight amount of dust on surface.
- One or two small marks that would make an otherwise near perfect record slightly less so. These marks cannot be too deep, and should only be surface marks that won't affect play, but might detract from the looks.
- May have some flaws and discoloration in the vinyl, but only those that would be intrinsic to the pressing. These should disappear when the record is tilted under the light, and will only show up when looking straight at the record. (Buddah and ABC pressings from the 70's are a good example of this.)
- May have some slight marks from aging of the paper sleeve on the vinyl.
- Possible minor surface noise when played.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.
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