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High Voltage

LP (Item 615443) MPS, 1970 — Condition: Near Mint-

Late niceness from Count Basie – and a set that definitely lives up to its name – a really high energy set, and one of the few times that Basie ever recorded for the MPS label! The group here works with sharp arrangements from Chico O'Farrill – who's got that punchy groove he was really perfecting in the 60s – a rhythmic snap that works just as well with the Basie group as Neal Hefti's charts did a decade before! Tunes are mostly standards, served up in a no-nonsense mode that's very heavy on the overall rhythmic conception of the group – but with some nice breakout solo moments, too – as you might hope for with a group that includes Eddie Lockjaw Davis on tenor, Eric Dixon on flute and tenor, Joe Newman on trumpet, Jerry Dodgion on alto, and Buddy Morrow on trombone. Titles include "Together", "If I Were A Bell", "The Lady Is A Tramp", "Chicago", "Have You Met Miss Jones", "Day In Day Out", and "When Sunny Gets Blue".  © 1996-2021, Dusty Groove, Inc.
(Early 80s PAUSA pressing. Cover has some small light stains at the spine.)

Near Mint - (minus)

  • Black vinyl that may show a slight amount of dust or dirt.
  • Should still be very shiny under a light, even with slight amount of dust on surface.
  • One or two small marks that would make an otherwise near perfect record slightly less so. These marks cannot be too deep, and should only be surface marks that won't affect play, but might detract from the looks.
  • May have some flaws and discoloration in the vinyl, but only those that would be intrinsic to the pressing. These should disappear when the record is tilted under the light, and will only show up when looking straight at the record. (Buddah and ABC pressings from the 70's are a good example of this.)
  • May have some slight marks from aging of the paper sleeve on the vinyl.
  • Possible minor surface noise when played.

Additional Marks & Notes

If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.



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