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Vinyl should be very clean, but can have less luster than near mint.
Should still shine under a light, but one or two marks may show up when tilted.
Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
This is the kind of record that will play "near mint", but which will have
some signs of use (although not major ones).
May have slight surface noise when played.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Call it a love of dancers or just plain Quincy groove – the album's got lots of nice tight tracks that are a perfect showcase for the ways in which Quincy had such a huge influence on jazz in the 60s! The tunes are often old standards, but done here in a style that's nicely syncopated – ... 7-inch, Vinyl record
Pre-Brunswick material by The Chi-Lites, arranged and produced by Johnny Cameron – with a sound that's more in keeping with the Chicago group soul sound than some of the group's later, sweeter work. There's a nice doo woppy quality to these cuts – with a late nite sound that's very ... 7-inch, Vinyl record
One of the best Kenton LPs ever, and one that really shows the band's beautiful blend of avant garde playing with a swinging jazz sensibility. Filled with fantastic material played by Lee Konitz, Charlie Mariano, and other Kenton modernists. If you've ever wondered why the Kenton band was so ... 7-inch, Vinyl record