A great early solo set from Diana Ross – a record that still has some great echoes of her work with The Supremes, but an even bolder frontline approach on vocals! Most tracks here still have other female voices backing Ross up – some un-credited Supremes-esque vocals that really help sweeten up the record, and make for a great transition from the earlier years. Production is by Hal Davis and Deke Richards of The Corporation – both of whom start pushing in some more sophisticated elements to the sound – lilting rhythms and soaring strings, but always used in moderation – so that most of the tunes still have that sweetly stepping groove that was associated with Ross' best work of the late 60s. There's some really great songs on the set – including the excellent title track "Everything Is Everything", which has a bouncing little hook, and the wonderful "Doobedood'ndoobe", an original by Deke Richards with a nice set of changes! Other titles include "I Love You", "How About You", "My Place", "Ain't No Sad Song", and "Baby It's Love". © 1996-2016, Dusty Groove, Inc.
We realize that there are many different interpretations of the standard grades used for pre-owned vinyl record albums & CD, so we thought we'd offer you the ones that we are working with, so you have an idea what we mean when we give the grade for a non-new item on our pages.
Below are stated conditions for a used vinyl records at Dusty Groove. Grading for the cover should be assumed to be near (within a "+" or "-") the grading for the vinyl. If there is significant divergence from the condition of the vinyl, or specific flaws, these will be noted in the comments section of the item. However, please be aware that since the emphasis of this site is towards the music listener, our main concern is with the vinyl of any used item we sell. Additionally, please note that all of our records are graded visually; considering the volume of used vinyl we handle, it is impossible for us to listen to each record. If we spot any significant flaws, we make every attempt to listen through them and note how they play.
The following grading conditions apply to the vinyl component of an album or single:
If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.