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Black vinyl that may show a slight amount of dust or dirt.
Should still be very shiny under a light, even with slight amount of dust on surface.
One or two small marks that would make an otherwise near perfect record slightly less so.
These marks cannot be too deep, and should only be surface marks that won't affect play,
but might detract from the looks.
May have some flaws and discoloration in the vinyl, but only those that would be
intrinsic to the pressing. These should disappear when the record is tilted under
the light, and will only show up when looking straight at the record.
(Buddah and ABC pressings from the 70's are a good example of this.)
May have some slight marks from aging of the paper sleeve on the vinyl.
Possible minor surface noise when played.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Includes "I Got It Bad And That Ain't Good", "Spang", "Frog & Mule" and a few more by Webster, "Lover Come Back To Me" and "Blues Changes" by Hawkins, and "I'm Fer It Too", "I Got Rhythm", and "Hello Babe" by Young. LP, Vinyl record album
A lesser-known funky jazz side from the early 70s Prestige years – one of the only sets we've ever seen from guitarist Maynard Parker, cut in a sweetly laidback style that's not unlike the Kudu Records groove! Parker's on hollow-body electric out front – working with small combo ... LP, Vinyl record album
A really wonderful album from Mal Waldron – quite different than most of his other records from the 50s, and done with a righteous undercurrent that almost points the way towards the Strata East generation of the 70s! The set's one of Mal's few 50s albums as a leader to feature horns ... LP, Vinyl record album
A brilliant statement of modernist jazz from Sam Rivers – one of his groundbreaking early albums for Blue Note, and one of the most challenging sessions issued by the label during the 60s! The record's a real departure from Rivers' already-great Fuscia Swing Song – with tunes that go ... LP, Vinyl record album
Monster funk from Hammond hero Reuben Wilson – an album of hard-burning, bad-walking tunes that are a fair bit different than most of his other work! Although Wilson recorded some pretty traditional organ jazz for the Blue Note and Groove Merchant labels, this album has him working with his ... LP, Vinyl record album
The scene may be changing, but nothing can dampen the fire of the great Bud Powell – and, if anything, this fifth installment in Blue Note's "Amazing" series may well have the pianist at his mature best! The rhythm duo are wonderful – more late 50s modern hardbop than some of ... LP, Vinyl record album
One of Eddie's groovier Varitone albums, and a record that has a very electric sound to it! At times, Eddie's electric sax is so off-beat that you'd think he was playing a synthesizer instead of a sax, but in true Harris form, he always keeps it funky, and even the weird sounds have a great groove ... LP, Vinyl record album
Lester Bowie, Roscoe Mitchell, Joseph Jarman, & Others
A legendary session of avant garde jazz – recorded by MPS at the Baden Baden Free Jazz Meeting in 1969! The centerpiece of the record is the performance by the Baden-Baden Free Jazz Orchestra – which is led by Lester Bowie, and features Albert Mangelsdorff, Eje Thelin, Kenny Wheeler, ... LP, Vinyl record album
The title says it all – as Yusef Lateef works here in that wonderful mixture of hardbop, soul jazz, and Eastern stylings that he brought to all of his best early sessions as a leader! Lateef himself is playing tenor, flute, and oboe – which he uses to craft these eerie snakecharmer ... LP, Vinyl record album
The legendary alto saxophonist Paul Desmond serves up his own versions of key tunes by Simon & Garfunkel – with results that are simply amazing, and very different than the originals! The style here takes all the airy brilliance of the original S&G tunes, and turns it towards a more ... LP, Vinyl record album
EPMD's incredible full length debut – a straight up all caps CLASSIC late 80s effort – raising the bar for the genre and helping pave the way for so much of the best golden age hip hop to come! Bottom heavy funky soul beats and masterful use of samples anchor the production, and the ... LP, Vinyl record album
A rare moment in the David Axelrod years at Capitol Records – a set that has the Axe producing sounds by older maestro David Rose! Rose is a lot groovier in the setting – as you might expect – and all the instrumental tunes are new compositions for the record. Tracks include ... LP, Vinyl record album