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(In a Royal Shield sleeve, with a sticker and cutout notch. Label has an ink stamp.)
Very Good - (minus)
Vinyl may be dirty, and can lack a fair amount of luster.
Vinyl can have a number of marks, either in clusters or smaller amounts, but deeper.
This is the kind of record that you'd buy to play,
but not because it looked that great. Still, the flaws should be mostly cosmetic,
with nothing too deep that would ruin the overall record.
Examples include a record that has been kept for a while in a
cover without the paper sleeve, or heavily played by a previous owner
and has some marks across the surface. The record should play okay,
though probably with surface noise.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
One of the comps that rode the mid 90s wave of turntablism, with a nice time table inside the gatefold sleeve. Not as much over the top trickery as you might hear on the Return of The DJ compilations on Bomb, but some essential moments, like Cut Chemist's "Lesson 6" and the X-Men's " ... LP, Vinyl record album
Pure underground niceness from the always strong J-Live. 6 cuts recorded in the mid-to-late 90s: "Longevity", "Braggin' Writes" (vocal cut plus a Dome Cracker remix), "Can I Get It", and "School's In". LP, Vinyl record album
His second album with "Keep Risin' To The Top", "On The Strength", "Cut That Zero", "Guess? Who?", "Everybody Got 2 Get Some", "DEF=Doug E Fresh", "I'm Getting' Ready", "Ev'ry Body Loves A Star" and more. LP, Vinyl record album
The second Stet LP, with the group repping BK in fine style. There's a fair share of Prince Paul niceness here, and Daddy-O's beats are no slouch either, in case the matching sweatsuits aren't enough to get you open. In the time of rappers cobbling together LPs with mix and match producers, it's ... LP, Vinyl record album
Guilty Simpson moves from the Detroit underground to Stones Throw – his block ready Ode To The Ghetto – a deft blend of uncompromising, tried-and-true street hip hop rhymes, and innovative funky production! Guilty keeps it ghetto on the mic – a straight up street struggle diary ... LP, Vinyl record album
Atlanta underground hip hop veteran Count Bass D – doing his thing in Cologne – joined by Retrogott, Twit One and Lazy Jones. The Count hit Cologne to perform at the city's Sommerfest in the summer of '13 – and while he was there, cut this tight little EP for MPM. Includes " ... LP, Vinyl record album
Damn... one of the early 00's "commercial" LP's that are at least as dope as our underground favorites – real hip hop that still keeps the party people movin', with a number of cuts produced by the Neptunes & Swizz Beats. Tracks include the instant classic "Nothin", ... LP, Vinyl record album
A very Stones Throw-like album from Kazi, on the B9000 label. The production was handled by Oh No, with a similar vibe to his own '04 LP. Wildchild, Medaphoar, Declaime, Dudley Perkins and others drop by. Tracks include "Pressure", "Sick With The Art" with Medaphoar & ... LP, Vinyl record album
A masterpiece of funky soul – and one of the greatest albums of the early 70s! It all comes together on this one – funk, soul, politics, and production – and the record is still one of the clearest examples of James Brown's genius that you'll ever find! Recorded during the same ... LP, Vinyl record album
One of the most compelling later albums on Philly International – a killer mix of jazzy numbers that have a very different style than most of the other Philly work at the time! Even though Leon Huff had been banging around in soul music for about 15 years – most famously as half of the ... LP, Vinyl record album