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Vinyl should be very clean, but can have less luster than near mint.
Should still shine under a light, but one or two marks may show up when tilted.
Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
This is the kind of record that will play "near mint", but which will have
some signs of use (although not major ones).
May have slight surface noise when played.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Sandy Bull's third album – a pair of long pieces that combine the multicultural folk instrumental experimentation – with Bull playing guitar, bass, bass drum, oud and hand percussion – rolling in a bit more electric blues on one side, and meandering psychedelic impulses on the ... LP, Vinyl record album
The Incredible String Band are paired down to the core duo of Mike Heron & Robin Williamson for their third and possibly best album – the truly incredible Hangman's Beautiful Daughter – using the studio as a most impressive adjunct member of the group at this point! This is an ... LP, Vinyl record album
A great little batch of instrumentals from one of the greatest country guitarists of the 60s! As the title might imply, one side of the record features "laughing guitar", with upbeat lively numbers, while the other features "crying guitar", sadder slower songs with a mellow ... LP, Vinyl record album
Half of the fourth album from The Incredible String Band and their most sprawling work to date – which was originally split into separate LPs for the US release – this being The Big Huge portion! Multi-instrumentalists Mike Heron & Robin Williamson began using studio multi-tracking ... LP, Vinyl record album
Ultra trippy work from John D Loudermilk cut at the end of the 60s – possibly some of the strangest and grooviest work to ever come out of producer Chet Atkins' Nashville Sound era! Open Mind Of John D Loudermilk is a bubbly sounding, but lyrically barbed psych pop opus assembled with ... LP, Vinyl record album