This image is a general representation of the item and the actual product may differ slightly in terms of color shading, logo placement, borders, or other small details. Used items may have various cosmetic differences as well.
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Used CD Grade
We have only one grade for non-new CDs at Dusty Groove — "Used CD".
This grade is somewhat all-encompassing, but we choose it because we try to offer
Used CDs in the best shape possible. All of our Used CDs are guaranteed to play
without skipping or flaws. If you purchase a Used CD from Dusty Groove,
you have 1 week to play it to determine that it plays correctly — and if it does not,
then you may return it for a full refund.
With our Used CDs, you can expect the disc to be free of all but the lightest of
surface marks — clean, and not dirty at all. You can also expect the case to be
clean (we often change the cases ourselves — putting fresh cases on Used CDs we
handle) — and you can expect the booklet to be in good shape, unless noted
otherwise. We will list any specific details/defects underneath the item — so
look for notes on cutout marks in the case, stamps on the barcode, or details like that.
Seminal early work from Art Farmer – and one of the first full albums to capture his brilliance! The record has Farmer playing in a quintet, with able accompaniment from Gigi Gryce, a young newcomer at this point, with a post-bop complication to his style that was not to dissimilar from ... CD
Hard hitting R&B organ tracks from the early years of Jack McDuff! The CD features 14 tracks – with the full LP of Brother Jack and Goodnight, It's Time To Go, and one extra track from Jack's Steppin Out LP. The tracks show Jack just getting past the stock jukebox sound of his "Hone ... CD
Nice mixture of boppish and swing-based material, and an excellent soulful session that has Illinois Jacquet playing in a stripped-down setting with Ben Tucker on bass, Alan Dawson on drums, and Barry Harris on piano, who adds a nice warm dimension to the set. Jacquet's tone is fantastic as always ... CD
A classic album from Dave – recorded at Oberlin College, the mid-Ohio haven of bohemiana, and a growing hotbed of jazz activity centered around students in the college's conservatory of music. Dave and crew made the trip at the request of the kids – breaking from their mostly San ... CD
A bit of a mystery session – clearly recorded in the late 40s, but without as many session details as we might like! Still, the work's great – early Milt Jackson with a nice boppish edge, recording here with Sonny Stitt on alto, Sir Charles Thompson on piano, and Russell Jacquet on ... CD
An essential Art Farmer session from the mid 50s – and a magnificent batch of hardbop tracks that we'd rank with some of our favorite work on Blue Note! The group is incredibly strong – with Hank Mobley on tenor, Kenny Drew on piano, Addison Farmer on bass, and Elvin Jones on drums ... CD
Really wonderful stuff – and one of Gary Bartz's greatest albums ever! This double-length live set was recorded around the time of his NTU Troup albums for Milestone – but it's a bit more straightforward than those sides, going back towards a searching soul jazz sound, with some slight ... CD
Fantastic early work from pianist Bobby Timmons album – a set that shows all the brilliant young genius that marked his playing at the time! Although only a trio session, the album grooves with the best sort of vibe that you'd find in Bobby's recordings with Art Blakey or Cannonball Adderley ... CD
An unusual title, but one that refers to Jackie McLean in quartet, quintet, and sextet formation – a growing lineup that develops along the course of the record, as new players are added into the mix with a casual, almost blowing session approach! The set begins with Jackie's alto set out in ... CD
A classic set that brings the east coast tenor of Sonny Rollins into contact with a west coast rhythm section of Ray Brown and Shelly Manne! Despite Rollins' silly look on the cover, and the album's overall "western" theme, the session's a brilliant one – right up there with Sonny's ... CD