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May not shine under light, but should still be pretty clean,
and not too dirty.
May have a number of marks (5 to 10 at most), and obvious signs of play,
but never a big cluster of them, or any major mark that would be very deep.
Most marks should still not click under a fingernail.
May not look near perfect, but should play fairly well,
with slight surface noise, and the occasional click in part of a song,
but never throughout a whole song or more.
This is clearly a copy that was played by someone a number of times,
but which could also be a good "play copy" for someone new.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
A strange album when put next to Love's Elektra records – and one that's not without its weaknesses – but the band's got a kick-ass drummer, and the record's filled with more than a few tasty moments that have a bit of funk in them. Layered with Arthur Lee's hip guitar, the sound is ... LP, Vinyl record album
Stereolab's second for Elektra, following strongly on their debut for the label – and one of their best ever! Mars Audiac Quintet is a brilliant batch of space age pop tunes, inflected with the genius ear for 60s classics that's always made the band so compelling to us, but done in a fresh ... LP, Vinyl record album
A key part of the initial tremendous legacy of X – one of the greatest run of records that any group could ever hope for! This third set has the group honing and refining their sound even more – losing none of their roots in the LA hardcore scene, but also inflecting their sound with a ... LP, Vinyl record album