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Super Hits

LP (Item 61318) Gamble/Philadelphia International, Late 60s/1973 — Condition: Near Mint-

A seminal collection of work from this legendary Philly group – a set that brings together some of their best singles from the early days – all in a hip 70s package! Despite mid 70s issue of the album, most of the work here come from the group's late 60s start – and they represent a new step forward in harmony soul from the Philly scene – a way of putting over a tune that set the stage for countless other sweet soul groups to come, but which is still handled best by The Intruders! Gamble & Huff produced these early gems, and arrangements are by Bobby Martin and Joe Renzetti – both of whom really know how to mix the mellow with the mighty. Titles include "Cowboys To Girls", "Sad Girl", "Me Tarzan, You Jane", "Love Is Like A Baseball Game", "Slow Drag", "Together", "(We'll Be) United", 'When We Get Married", "Sad Girl", "A Love That's Real", "Friends No More", "Gonna Be Strong", and "Check Yourself".  © 1996-2021, Dusty Groove, Inc.
(Cover has a cutout hole.)

Near Mint - (minus)

  • Black vinyl that may show a slight amount of dust or dirt.
  • Should still be very shiny under a light, even with slight amount of dust on surface.
  • One or two small marks that would make an otherwise near perfect record slightly less so. These marks cannot be too deep, and should only be surface marks that won't affect play, but might detract from the looks.
  • May have some flaws and discoloration in the vinyl, but only those that would be intrinsic to the pressing. These should disappear when the record is tilted under the light, and will only show up when looking straight at the record. (Buddah and ABC pressings from the 70's are a good example of this.)
  • May have some slight marks from aging of the paper sleeve on the vinyl.
  • Possible minor surface noise when played.

Additional Marks & Notes

If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.



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