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They are updated every day based on currency rates quoted to us by our bank — but understand that the final rate charged to you by your bank may differ.
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If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Used CD Grade
We have only one grade for non-new CDs at Dusty Groove — "Used CD".
This grade is somewhat all-encompassing, but we choose it because we try to offer
Used CDs in the best shape possible. All of our Used CDs are guaranteed to play
without skipping or flaws. If you purchase a Used CD from Dusty Groove,
you have 1 week to play it to determine that it plays correctly — and if it does not,
then you may return it for a full refund.
With our Used CDs, you can expect the disc to be free of all but the lightest of
surface marks — clean, and not dirty at all. You can also expect the case to be
clean (we often change the cases ourselves — putting fresh cases on Used CDs we
handle) — and you can expect the booklet to be in good shape, unless noted
otherwise. We will list any specific details/defects underneath the item — so
look for notes on cutout marks in the case, stamps on the barcode, or details like that.
One of the few Blue Note albums with a bossa groove – and a great one too! The record features soulful tenor star Ike Quebec blowing in front of Brazilian-styled rhythms laid out by a combo that includes Kenny Burrell on guitar, and a duo of Latin percussionists! Willie Bobo plays drums on ... CD
Although most of the world knows Ike Quebec these days for his "comeback" recordings with Blue Note in the early 60s, back in the 40s, he recorded some totally smoking sides for the label that show him playing in a much younger, gutsier vein – nicely shifting between the camps of ... CD
Although the free funky soul combo Medeski, Martin, & Wood are best known for their Hammond organ grooves – this tasty live set catches them in a slightly different vein, with all acoustic instruments in the band, including piano, bass, melodica, and mbira! The sound is different than ... CD
One of the all-time great 60s albums from Blue Note – a seminal session from tenor legend Ike Quebec, cut in a warm, mellow style that's simply wonderful! Ike's working here with a quartet that includes organist Freddie Roach – a perfect match for the Quebec tone of the time – ... CD
Some of the funkiest work on guitar ever recorded – and a great overview of the legendary sessions that Grant Green recorded for Blue Note in the late 60s and early 70s! Years back, the label used to disown these sessions – claiming they were more commercial and lower-quality than ... CD
A killer collection of this unique musical moment from Gerry Mulligan – with material that appeared on the albums Concert Jazz Band, Concert Jazz Band At The Village Vanguard, A Concert In Jazz, Concert Jazz Band On Tour Guest Soloist Zoot Sims, and Gerry Mulligan 63 – plus unissued ... CD
A great Horace Silver album – and one of the rarest! The record features some top-line material that virtually defines Silver's post-Jazz Messengers sound – tracks that come out with a hard and heavy groove, yet which also have a lightness in the mix too – a sense of play and ... CD
Easily the most hard-hitting of Blue Note's 2LP Lighthouse Live series from the early 70s – and a record that really lets Elvin Jones and his group stretch out and play! The setting is a perfect one for Jones – given the boundless energy already present on his studio sessions for Blue ... CD
One of the two quartet sessions that Ornette cut for Blue Note in the late 60's – and tight mature work like the New York Is Now sides, recorded in the company of Dewey Redman and the Coltrane rhythm section of Jimmy Garrison and Elvin Jones, which offers a contrasting perspective to most of ... CD
A landmark album – even if it was the only session that Cannonball Adderley ever cut for Blue Note! The album was recorded at a time when Adderley was working with Miles Davis – and as such, the session features a group that includes Miles, blowing in a cool tone that's a perfect ... CD