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Vinyl may be dirty, and can lack a fair amount of luster.
Vinyl can have a number of marks, either in clusters or smaller amounts, but deeper.
This is the kind of record that you'd buy to play,
but not because it looked that great. Still, the flaws should be mostly cosmetic,
with nothing too deep that would ruin the overall record.
Examples include a record that has been kept for a while in a
cover without the paper sleeve, or heavily played by a previous owner
and has some marks across the surface. The record should play okay,
though probably with surface noise.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Johnny Mathis gets a great new sound here – thanks to Philly production and arrangements from the great Thom Bell! Thom had quite a hand in the songs, too – as almost all numbers were written by the team of Bell and Linda Creed – really sensitive songwriters who've got an adult, ... LP, Vinyl record album
Twelve tracks, including "You've Got Me Crying Again", "Out Of Sight, Out Of Mind", "Stardust", "Harbor Lights", "You Taught Me", "Don't Go To Strangers", and "I Wish I Didn't Love You So". LP, Vinyl record album
A 60s collection that brings together sides Dinah Washington cut with Quincy Jones in the 50s – packaged with a cover photo that clearly shows the affection between the pair! The set's an early one for Jones, and Quincy knows how to mix just the right doses of straight jazz and tighter vocal ... LP, Vinyl record album
An excellent album of tunes recorded in Brazil – featuring a sweet mellow vibe that works very well with Sarah's vocals, done in a direction that we hardly expected her to take at this point! Most of the tracks have large arrangements with singers that start out the tracks over electric ... LP, Vinyl record album
One of Louie's greatest albums ever – a hard-swingin batch of vocal group tunes, with all the sound that made him famous! The album was cut at the height of Louie's career back in the 50s – with vocals by Keely Smith on 2 tracks, and backing by the tight combo of Sam Butera and The ... LP, Vinyl record album
One of a few rare sides cut by vocalist Betty Roche – a really wonderful singer from the end of the 50s who should have been huge – at least given the quality of records like this! The delightful Roche's vocals are backed by a mellow quartet featuring Jimmy Neely on piano and Wally ... LP, Vinyl record album
A classic 2LP collection of Billie's older work for Columbia – early sides produced by John Hammond in the late 30s and early 40s. Titles include "It's A Sin To Tell A Lie", "Am I Blue", "God Bless The Child", "Mandy Is Two", "It's The Same Old ... LP, Vinyl record album
One of Sarah's few albums for Columbia – and quite possibly the best, thanks to some great small group backing, heard on 8 of the album's 12 tunes! The group's a really great one – with Miles Davis on trumpet, Benny Green on trombone, Buddy Johnson on tenor, Tony Scott on clarinet, ... LP, Vinyl record album
Poor Tony Perkins! He actually does a pretty nice job on this early album as a vocalist, and we imagine that he forever regretted having that part of his career closed down once he played the part of Norman Bates in Psycho. Still, there's a bit of a psycho feel to this album – from the ... LP, Vinyl record album