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Vinyl should be very clean, but can have less luster than near mint.
Should still shine under a light, but one or two marks may show up when tilted.
Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
This is the kind of record that will play "near mint", but which will have
some signs of use (although not major ones).
May have slight surface noise when played.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Blues may not have been born in the coffee house, but by the early 60s it found a very welcome audience in that scene – thanks to growing interest in the genre by the younger folk generation! The album's liner notes by Barbara Dane are key proof of this fact – as are the album's ... LP, Vinyl record album
Messed up funky blues from drummer Willie Williams – here leading a Chicago group that includes work by Pinetop Perkins, Eddie Taylor, Roy Lee Johnson, Carel Bell, and Little Mack. There's no all-out funk tracks on the record – but it does have a soulful edge overall, especially in ... LP, Vinyl record album
Little Milton's always been as much of a soul singer as a bluesman – and this overlooked gem from the 70s has him hitting equally well on both fronts! The set's a great precursor to Milton's 80s revival on Malaco – but has the singer working in Chicago, with these deep soul ... LP, Vinyl record album
One of the only full albums to ever feature the Chess Records material by New Orleans blues legend Sugarboy Crawford – a really well-done 70s set that brings together a host of rare singles with detailed notes! LP, Vinyl record album