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(Heavy original pressing – with microphone logo and deep groove – nice and clean, and cover is great.)
Vinyl can have some dirt, but nothing major.
May not shine under light, but should still be pretty clean,
and not too dirty.
May have a number of marks (5 to 10 at most), and obvious signs of play,
but never a big cluster of them, or any major mark that would be very deep.
Most marks should still not click under a fingernail.
May not look near perfect, but should play fairly well,
with slight surface noise, and the occasional click in part of a song,
but never throughout a whole song or more.
This is clearly a copy that was played by someone a number of times,
but which could also be a good "play copy" for someone new.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
A trad-revival set recorded on Chicago's south side in the early 60s – part of an excellent series on Riverside, seeking to re-discover some older jazz and blues greats who were languishing in the Windy City at the time! Junie C Cobb plays mostly piano on the date, but also sings on one ... LP, Vinyl record album
Budd Johnson was one of those players from the old days who was continually drawing praise from younger and hipper musicians – crediting Budd with a tone and talent that was forever an inspiration to them. Case in point is this 1960 session, issued as part of the hip Cannonball Adderley ... LP, Vinyl record album
Groovy Toots – just the way we like him, with a bit of jazz, a bit of easy, and some cool 60s approaches to his sound! The album has Toots on both harmonica and guitar – working in a stripped-down small combo setting that has some really surprising elements, like piano and organ by ... LP, Vinyl record album