This image is a general representation of the item and the actual product may differ slightly in terms of color shading, logo placement, borders, or other small details. Used items may have various cosmetic differences as well.
We realize that there are many different interpretations of the standard grades used
for pre-owned vinyl record albums & CD, so we thought we'd offer you the ones that we are working with,
so you have an idea what we mean when we give the grade for a non-new item on our pages.
Used Vinyl Grades
Below are stated conditions for a used vinyl records at Dusty Groove. Grading for
the cover should be assumed to be near (within a "+" or "-")
the grading for the vinyl.
If there is significant divergence from the condition of the vinyl, or specific flaws,
these will be noted in the comments section of the item. However, please be aware that
since the emphasis of this site is towards the music listener, our main concern is with
the vinyl of any used item we sell. Additionally, please note that all of our records
are graded visually; considering the volume of used vinyl we handle, it is impossible
for us to listen to each record. If we spot any significant flaws, we make every attempt
to listen through them and note how they play.
The following grading conditions apply to the vinyl component of an album or single:
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
One of the few cases in jazz where an oft-played classic still resonates with power! The record itself is a key cap to Miles Davis' already-groundbreaking years of the 60s – a bold step forward, not just for his nascent electric sound, but also for jazz in general – and the benchmark ... LP, Vinyl record album
A really great later Blue Note session from Stanley Turrentine – a small combo set that's almost a return to the format of earlier years! The group's a strong one – and features Shirley Scott on organ, Jimmy Ponder on guitar, and Idris Muhammad on drums – playing in a style that's ... LP, Vinyl record album
A treasure trove of rare jazz recordings – all material that was cut during the short run of the Beehive label – that excellent Chicago imprint that was based along the ideals of recordings first put in place by Blue Note and Prestige! Beehive also grabbed a lot of players who worked ... LP, Vinyl record album
An excellent Hank Mobley session – with an unusual twist that takes it past his earlier work! The lineup's great all the way through – with Woody Shaw on trumpet, George Benson on guitar, and Billy Higgins on drums – and the addition of Benson's guitar gives the tracks a groovily ... LP, Vinyl record album
A key meeting between the Three Sounds trio and the amazing Monk Higgins – done at a time when Higgins was taking his Chicago-crafted grooves to work on the west coast – and doing some really wonderful productions with Dee Ervin! The set features full Higgins backings throughout – ... LP, Vinyl record album
Beautiful! Trumpeter Gene Shaw is one of the most overlooked talents in jazz from this era – and this is one of his greatest albums! After running away from Charles Mingus during the Tijuana Moods sessions (Mingus threatened to kill him), Clarence Shaw moved to Chicago, started using his ... LP, Vinyl record album
Not much of a cover and title, but a great lost slice of Verve from the early 60s – with Hodges on alto, and Lalo Schifrin on piano and Barry Galbraith on guitar – a pretty groovy group! LP, Vinyl record album
A great return to form for guitarist Sal Salvador – a player who didn't always get that much time in the spotlight in the 70s, until a big wave of fresh exposure from the Beehive label! Sal got his start in the Stan Kenton group, where he learned a great sense of color and phrasing – ... LP, Vinyl record album
A brilliant pairing of the Three Sounds trio with the larger arrangements of reedman Oliver Nelson – easily one of the most soulful bandleaders of the 60s, and a talent who really helps open up the trio's groove! The piano of Gene Harris is nice and sharp – played with a soulful sock ... LP, Vinyl record album
A landmark album from Roland Kirk – one of his key 60s sides for Atlantic records, and an amazing blend of soul jazz, hardbop, and freer thinking styles! Roland's playing an insane assortment of horns on the set – often at the same time, if you know his 3-way style of blowing – ... LP, Vinyl record album
An amazingly beautiful set of tracks from Art Farmer – playing here with superb accompaniment from a young Harold Mabern on piano, in a laidback quartet format that really lets Art open up! Art's playing is fresh and creative throughout – never too over the top, and always blown with ... LP, Vinyl record album
Great stuff – and a beautiful album of spiritual jazz recorded by this obscure piano player who worked briefly with Jackie McLean in the seventies. Billy Gault had an amazingly soulful way of putting together his work, but never got bogged down in too much sentiment. There's some beautiful ... LP, Vinyl record album