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Black vinyl that may show a slight amount of dust or dirt.
Should still be very shiny under a light, even with slight amount of dust on surface.
One or two small marks that would make an otherwise near perfect record slightly less so.
These marks cannot be too deep, and should only be surface marks that won't affect play,
but might detract from the looks.
May have some flaws and discoloration in the vinyl, but only those that would be
intrinsic to the pressing. These should disappear when the record is tilted under
the light, and will only show up when looking straight at the record.
(Buddah and ABC pressings from the 70's are a good example of this.)
May have some slight marks from aging of the paper sleeve on the vinyl.
Possible minor surface noise when played.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Fantastic stuff, like all of Bobby's early Duke albums, and a breathtaking mix of soul and R&B, with some nice jazzy touches in the arrangements. Tracks include "Wouldn't You Rather Have Me", "Ask Me Nothin' About The Blues", "Gotta Get To Know You", and "You ... LP, Vinyl record album
A hip mix of raunchy blues and rootsy rock – all stretched out over a double-length set that's easily one of John Lee Hooker's loosest albums ever! The album has Hooker playing in a number of settings with hip rock and funk players from the California scene – including Steve Miller, ... LP, Vinyl record album
BB King in London – not playing live, but working in the studio with a host of British musicians he'd inspired over the years! The lineup varies from track to track, giving a nice sort of variety to the album – and the overall feel is a bit like some of the Chess London sessions of the ... LP, Vinyl record album
Earlier recordings by Jimmy Reed, most likely done at the end of the 60s – but issued here for the first time in this 1973 package by Bluesway. Jimmy's working here in a mode that's almost rootsier than his more famous work for Vee Jay – singing with a really rough edge, and playing ... LP, Vinyl record album
Sure it's not his Duke recordings, and sure, the sound's a bit 70s-ish – but Bobby's voice is always fantastic, and he still sounds great in this smooth batch of tracks recorded in LA. Backings were arranged and conducted by Michael Omartian – but it's Bobby's vocals that really make ... LP, Vinyl record album
A nice little record from Bobby Blue Bland – quite different from his 60s sides for Duke/Peacock, and recorded in California (as you might guess from the title!) with a smoother more soulful approach that comes off surprisingly well! The style works well for Bobby – and kind of gave ... LP, Vinyl record album
Not just straight blues, but a nice later appearance of some key postwar artists too – a the album features work by BB King, Arthur Crudup, Clarence Gatemouth Brown, Muddy Waters, Lloyd Glenn, Eddie Cleanhead Vinson, and Big Mama Thorton! LP, Vinyl record album