This image is a general representation of the item and the actual product may differ slightly in terms of color shading, logo placement, borders, or other small details. Used items may have various cosmetic differences as well.
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Used CD Grade
We have only one grade for non-new CDs at Dusty Groove — "Used CD".
This grade is somewhat all-encompassing, but we choose it because we try to offer
Used CDs in the best shape possible.
When you purchase a Used CD you can expect the disc to be free of all but the
lightest of surface marks, the case to be clean (we often change the cases ourselves),
and the booklet to be in good shape.
Used CDs may show some signs of use but if there are significant details or
defects we will list them underneath the item — just like we do with LPs —
so look there for notes on cutout marks, stickers, promo stamps or other details.
All of our Used CDs are guaranteed to play without skipping or flaws.
If you purchase a Used CD from Dusty Groove, you have 1 week to play it to determine
that it plays correctly —
and if it does not, then you may return it for a full refund.
Two groovy Doc Severinson albums – back to back on a single CD! Rhapsody For Now is kind of a cool concept album for Doc Severinsen – one that has him blowing amidst some larger suites arranged by Oliver Nelson, Harry Betts, and Tommy Newsom – each with a slightly different feel! ... CD
Billed as "A Dark Opera Without Words", A Genuine Tong Funeral is an extended piece written by Carla Bley, and performed by the Burton quartet with help from a larger group that includes Steve Lacy, Gato Barbieri, Michael Mantler, and Bley herself. As such, the album's probably the most ... CD
The "flipside" of Ike Quebec's legendary run of albums for Blue Note – a huge set of material recorded only as 45 singles during his same stretch at the label! Although Quebec's work as a soulful tenorist has been well documented and reissued over the years on albums like Blue & ... CD
With Bill De Pew, George Koenig & Hymie Scherzer on alto sax, Harry Goodman on bass, Benny Goodman on clarinet, Gene Krupa on drums, Allan Reuss on guitar, Jess Stacy on piano, Arthur Rollini & Vido Mussoon tenor sax, Gordon "Chris" Griffin, Harry James, Irving Goodman, Reuben ... CD
Massively funky work from the mighty Weldon Irvine – sublimely cosmic and filled with soul throughout! The vibe here is a bit more focused than on some of Weldon's earlier albums – a moody blend of electric keys, heavy percussion, and some slight bits of jazzy solo work by trumpeters ... CD
124 tracks in all – all late 30s/early 40s recordings from the HRS label, mostly issued initially on 78s! Includes groups led by Harry Carney, Joe Thomas, Jimmy Jones, Sandy Williams, Billy Taylor, Rex Stewart, Brick Fleagle, Buck Clayton, Trummy Young, Russell Procope, and JC Higginbotham. CD
One of the first real moments of genius from the young Stan Getz – his collaboration with guitarist Jimmy Raney, whose sharp tone matched the rasp of Stan's tenor beautifully! The material's got a lot more edge than Stan's work with guitarist Johnny Smith – and this big set features ... CD
Sarah Vaughan gets some backing from Count Basie – making for a record that's one of her jazziest and swinging of the time! As with other Basie-related vocal sessions from the early 60s, this one has a soulful edge and a nice little bounce – one that makes for a more solid approach ... CD
A fantastic lost set from Evans – one that features Mingus trumpeter Johnny Coles as the lead soloist in front of Evans-led modern groups that include players like Elvin Jones, Ray Crawford, Steve Lacy, Budd Johnson, Rod Levitt, and Chuck Wayne. Despite the "standards" in the title ... CD