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Vinyl should be very clean, but can have less luster than near mint.
Should still shine under a light, but one or two marks may show up when tilted.
Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
This is the kind of record that will play "near mint", but which will have
some signs of use (although not major ones).
May have slight surface noise when played.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Excellent vocal group material from The Hi-Los – one of the best male vocal quartets ever! The foursome have an amazing talent with a jazz riff – and their style of handling a tune was only ever matched by the Four Freshmen for sheer inventiveness and vocal imagination. The album's ... LP, Vinyl record album
Dreamy harmony jazz from the great Hi-Los – one of the hippest groups of the 50s, with a sweet quartet approach similar to The Four Freshmen, and which had a huge effect on pop in the 60s! The tunes on the set feature the group working with Frank Comstock – in an amazing style that ... LP, Vinyl record album
One of the Hi Los dreamiest albums – a gentle batch of ballads and love tunes, conducted by Frank Comstock with a gentle, late nite approach. The style's not as dramatic or showy as some of the group's other albums of the time, but it does make for a really wonderful set – pillowy soft ... LP, Vinyl record album
A near-lost album from Sammy's years at Reprise – and an album that's got that nice bouncey style that the label was using with Dean Martin and Frank Sinatra in the 60s! A lot of the thanks goes to producer Sonny Burke, who inflects Sammy's vocals with a punched-up set of rhythms that makes ... LP, Vinyl record album
The roots of Dino's country style with arrangements by Don Costa. The style here is different from the hit Jimmy Bowman sound of Dean's stone cold country work of the mid to late 60s for Reprise – with a feel that's a bit more in the country pop vocal mode of 50s singers like Jim Reeves or ... LP, Vinyl record album
Wonderful Sammy from his years at Reprise – and a beautiful album cut in collaboration with arranger Marty Paich! Marty had a swinging, jazzy style that always brought out the best in Sam – even on an album of fuller, mellower tracks such as these. The title hit is done by Sammy in a ... LP, Vinyl record album
One of Sinatra's greatest records ever – pure genius all the way through! Frank's backed here by the orchestra of Count Basie, with some incredible arrangements by Quincy Jones that really have a jazzy, syncopated kick to them. The move seems to be an unintentional way of covering for Frank' ... LP, Vinyl record album
Nancy Sinatra recording in London, but still getting some heavy help from Lee Hazlewood – who wrote about half the tracks on the record, and also guest stars on one number too! The backings are fuller than some of Nancy's other Reprise albums – clearly going for some of the jaunty ... LP, Vinyl record album