How can we even begin to describe the genius of Lambert Hendricks and Ross? The group was a jazz vocal supergroup that merged three talents that had already made a big name in the bebop vocalese field – Dave Lambert, Jon Hendricks, and the lovely Annie Ross – and the project was an attempt to completely work the emerging vocalese style onto a full-blown jazz group. This album wasn't their first – but it was the first to really break them with the masses, and it's a vocal jazz classic if there ever was one. Backings are by the Ike Isaacs Trio, plus Harry Edison on trumpet – and titles include "Moanin", "Twisted", "Cloudburst", "Everybody's Boppin", and "Sermonette". 70s version of the group's first album for Columbia – Hottest New Group In Jazz – but works fine as a best of! (70s pressing. Shrinkwrap has a small tear on the top seam.) © 1996-2016, Dusty Groove, Inc.
We realize that there are many different interpretations of the standard grades used for pre-owned vinyl record albums & CD, so we thought we'd offer you the ones that we are working with, so you have an idea what we mean when we give the grade for a non-new item on our pages.
Below are stated conditions for a used vinyl records at Dusty Groove. Grading for the cover should be assumed to be near (within a "+" or "-") the grading for the vinyl. If there is significant divergence from the condition of the vinyl, or specific flaws, these will be noted in the comments section of the item. However, please be aware that since the emphasis of this site is towards the music listener, our main concern is with the vinyl of any used item we sell. Additionally, please note that all of our records are graded visually; considering the volume of used vinyl we handle, it is impossible for us to listen to each record. If we spot any significant flaws, we make every attempt to listen through them and note how they play.
The following grading conditions apply to the vinyl component of an album or single:
If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.