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Vinyl should be very clean, but can have less luster than near mint.
Should still shine under a light, but one or two marks may show up when tilted.
Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
This is the kind of record that will play "near mint", but which will have
some signs of use (although not major ones).
May have slight surface noise when played.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
A beat-era film classic – Andre Previn's jazzy score to the film based on Jack Kerouac's novel The Subterraneans! Previn's working here in a mode that's sometimes lush and emotive, but often more upbeat and jazzy – and performed by a host of great jazz players that include Gerry ... LP, Vinyl record album
The first James Bond soundtrack – pre-John Barry, but already showing Bond music as a genre unto itself! Monty Norman handles the music – and brings together some cool Caribbean sounds with familiar jazz riffs – a blend that showcases the Jamaican setting of the main narrative, ... LP, Vinyl record album
Swingers unite! Quincy Jones did the score for this very strange film about two couples who decided to freak out their marriages a bit. Some of the material features some jazzy remakes of Handel's "Hallelujah Chorus", but other tracks have a nice groovy sound to them. Includes a bunch ... LP, Vinyl record album