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Black vinyl that may show a slight amount of dust or dirt.
Should still be very shiny under a light, even with slight amount of dust on surface.
One or two small marks that would make an otherwise near perfect record slightly less so.
These marks cannot be too deep, and should only be surface marks that won't affect play,
but might detract from the looks.
May have some flaws and discoloration in the vinyl, but only those that would be
intrinsic to the pressing. These should disappear when the record is tilted under
the light, and will only show up when looking straight at the record.
(Buddah and ABC pressings from the 70's are a good example of this.)
May have some slight marks from aging of the paper sleeve on the vinyl.
Possible minor surface noise when played.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Even at this early point in their career, the Modern Jazz Quartet were plenty proud of their relation to and reception in Paris – almost rubbing their international fame in the faces of other American combos with the title and cover of this record! The set's still got the quartet at their ... LP, Vinyl record album
A stone classic from the Modern Jazz Quartet – recorded back when the group still featured Kenny Clarke in its membership, but already with some of the more serious, somber tones that would mark the combo's more famous years! Tracks here are from a variety of sessions in 1953, 1954, and 1955 ... LP, Vinyl record album
Ah, the genius of the early Modern Jazz Quartet – summed up perfectly in two words: Kenny Clarke! At this early point in the group's history, Kenny was in the quartet on drums – and his magic touch on the kit makes for a style that's a bit harder, and a bit more swinging than some of ... LP, Vinyl record album
Sweet electric grooving from David Newman – a great little album cut with Roy Ayers on vibes and Pat Rebillot on electric piano – both of whom bring a very different feel to the set than Newman's work of the 60s! The style is warm and tight, but never too smooth – as there's ... LP, Vinyl record album
Herbie Mann kicks Johnny Rivers off the stage of the Whisky A Go Go – and serves up some amazing long tracks that really redefine the sound of jamming on the Sunset Strip! The album's quite unusual for the time – in that it features two long tracks, which each run a side apiece – ... LP, Vinyl record album