This image is a general representation of the item and the actual product may differ slightly in terms of color shading, logo placement, borders, or other small details. Used items may have various cosmetic differences as well.
Black vinyl that may show a slight amount of dust or dirt.
Should still be very shiny under a light, even with slight amount of dust on surface.
One or two small marks that would make an otherwise near perfect record slightly less so.
These marks cannot be too deep, and should only be surface marks that won't affect play,
but might detract from the looks.
May have some flaws and discoloration in the vinyl, but only those that would be
intrinsic to the pressing. These should disappear when the record is tilted under
the light, and will only show up when looking straight at the record.
(Buddah and ABC pressings from the 70's are a good example of this.)
May have some slight marks from aging of the paper sleeve on the vinyl.
Possible minor surface noise when played.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Great work from Terry Gibbs – an album of all original material, recorded for Mainstream and not nearly as well-known as some of his bigger dates from the old days! The lineup here is a bit unusual – with Nat Pierce playing organ, Sal Nistico on tenor, and Turk Van Lake on guitar ... LP, Vinyl record album
Much more interesting than some of Barney's earlier records – possibly because he's working with a hip, flexible combo – one that includes Marv Jenkins on piano and flute, Jerry Good on bass, and Stan Popper on drums. The tracks are a mix of groovers and mellow numbers – with ... LP, Vinyl record album
A key early entry in the "jazz meets Broadway" genre – and a record that was so successful, it went onto inspire countless imitations! Shelly Manne's working here in a lightly playful trio setting – alongside Andre Previn on piano and Leroy Vinnegar on bass, in a reading of ... LP, Vinyl record album
Benny Carter swings material from the 20s – but the results are a lot better than you might expect! We'll be honest in saying that the cover and theme of this one always made us figure the record was some sort of "old timey" affair – but Benny's surprisingly cool on the ... LP, Vinyl record album
After having a bit of a minor hit with a crime jazz album dedicated to the music of Peter Gunn, Shelly and combo turn towards a less-remembered TV cop show for more music in a similar vein. Checkmate was a short-lived show from the early 60s, but it had a great score by John Williams – one ... LP, Vinyl record album
One of the few sides ever cut as a leader by west coast clarinetist Bill Smith – and a pretty groovy session that has the group performing jazz versions of folk tunes, a gimmick that was used briefly around the same time by players that included Harold Land and Benny Bailey. The quartet ... LP, Vinyl record album
A very cool album that has Shelly Manne and Jack Marshall going nuts on a bunch of percussion, drums, and other odd instruments! Marshall mostly plays spare acoustic guitar, with some very nutty changes – and Manne proves that he's a very adept percussionist way past his usual west coast ... LP, Vinyl record album
One of the first albums to ever bear the name of Howard Rumsey's Lighthouse All-Stars – a well-chosen monikker for a record to feature the talents of leading 50s west coasters like Shorty Rogers, Jimmy Giuffre, Bob Cooper, Shelly Manne, Milt Bernhardt, and Herb Geller. The format here is a ... LP, Vinyl record album
Lovely work from George Cables – one of the strongest piano stars to emerge from the west coast scene of the 70s, and one of the most soulful too! The album features a core trio of Cables on acoustic piano, plus Rufus Reid on bass and Eddie Gladden on drums – and they're joined on 2 ... LP, Vinyl record album
The classic meeting of the brain trust of the avant garde jazz scene, recorded for the young JCOA label, and put forth as one of their early attempts to prove that musicians could be in charge of the means of production. This double LP set features a set of compositions by Michael Mantler (who ... LP, Vinyl record album