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Vinyl should be very clean, but can have less luster than near mint.
Should still shine under a light, but one or two marks may show up when tilted.
Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
This is the kind of record that will play "near mint", but which will have
some signs of use (although not major ones).
May have slight surface noise when played.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
A great little track – with a spacey, airy feel that's unusual for the time! The cut is co-produced by Jimmy Smith, and is almost more of a jazz funk one than a club number – with the mix of dancefloor rhythms and soaring jazz that you'd find on Jimmy's Sit On It album – but ... 12-inch, Vinyl record
"Computer Game" is one of the best early singles from this famous Japanese combo. The cut's got plenty of electronics, as expected, but it's also got a wonderfully soulful groove – with some Barry White-esque strings that provide a nice degree of warmth, and help the cut hit a ... 12-inch, Vinyl record
A dancefloor classic! Gregg Diamond was never one of our favorites – but we love the cut "Hot Butterfly", an amazing soulful club groover, with incredible work by Luther Vandross, and a stormin sound that just won't quit! 8 minutes long – and very very nice! 12-inch, Vinyl record
A very catchy bit of funk from the P-Funk glory days, with a bass-heavy groove that reminds us of Bootsy Collins' best work, and the same sort of "Flashlight" groove that put them over the top. 12-inch, Vinyl record
Another bit of electro grooving from Herbie's Future Shock LP – with lots of space age keyboards, and tweaked up electro beats! Bill Laswell produced and plays bass, too. Herbie's classic version of "Chameleon" is presented here in a 14 minute remix – but one that really ... 12-inch, Vinyl record
Masters At Work by another name still means deep, soulful underground house tracks. If we remember right, Hardrive was more of a Louie Vega project, though he brings in Kenny Dope on these tracks too, as well as Maurice Joshua for one cut. 12-inch, Vinyl record
From the transitional period when Chuck and co. were moving from the harder funk style of their Sussex days to the Go Go sound they'd help pioneer in DC, with a style that combines both, with a bottom heavy groove, wiry guitar, horn stabs and percolating percussion. This single features their ... 12-inch, Vinyl record
"Heaven Must Be Missing An Angel" is one of Tavares' biggest cuts ever – a smooth uptempo number from the mid 70s, a great AM radio groover, made even more famous as a disco cut once the Saturday Night Fever generation got a hold of it! 12-inch, Vinyl record
Fairly commercial, but still irresistible house from one of the pioneers, Lil Louis, or at least a producer who helped really shine the light on the club scene. Masters At Work provide more than just a bit of underground credibility here, with their nice mixes. 12-inch, Vinyl record