This image is a general representation of the item and the actual product may differ slightly in terms of color shading, logo placement, borders, or other small details. Used items may have various cosmetic differences as well.
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Used CD Grade
We have only one grade for non-new CDs at Dusty Groove — "Used CD".
This grade is somewhat all-encompassing, but we choose it because we try to offer
Used CDs in the best shape possible. All of our Used CDs are guaranteed to play
without skipping or flaws. If you purchase a Used CD from Dusty Groove,
you have 1 week to play it to determine that it plays correctly — and if it does not,
then you may return it for a full refund.
With our Used CDs, you can expect the disc to be free of all but the lightest of
surface marks — clean, and not dirty at all. You can also expect the case to be
clean (we often change the cases ourselves — putting fresh cases on Used CDs we
handle) — and you can expect the booklet to be in good shape, unless noted
otherwise. We will list any specific details/defects underneath the item — so
look for notes on cutout marks in the case, stamps on the barcode, or details like that.
There's nothing prehistoric about this set – as saxophonist James Carter's working here in an angular mode that's strikingly modern, despite the "classics" in the title! The tunes are all familiar ones, but they're recast by Carter with a deep tone on tenor, alto, and soprano sax ... CD
A great lost sleeper from pianist Rahn Burton – a set that's even better than most of the DIW trio material from the time, thanks to some extremely thoughtful work by Burton on the keys! The trio here features Walter Booker on bass and Jimmy Cobb on drums – and the record has a warmly ... CD
A massive set of Monk interpretations – easily one of the greatest tributes to Thelonius we've ever seen, and a package that features more than just piano parts too! The performance is divided into four different sets – each one featuring a different pianist – either Muhal ... CD
The Saxophone Masters here are George Coleman, Joe Henderson, and Billy Pierce – who join with Williams' trio in a set of older standards and 2 originals – ranging in styles, and with plenty of space to show off the solo talents of all parties involved. Williams is the strongest force ... CD
An album that's quite different than you might expect from the title – one of the most adventurous records issued on Impulse during the life of John Coltrane! The tracks here are all quite free and far-reaching – hardly the mellow "meditations you might expect – and more the ... CD
An amazing meeting of two unlikely talents – the classic Blue Note Hammond sound of John Patton, and the angular alto of improvisor John Zorn! The set's not as much of a surprise when you realize that Zorn had been a fan of Patton for years – and had used the organist on some of his ... CD
Cecil Taylor's definitely Looking Ahead here – pushing jazz piano very strongly into the 60s with his modernist tones – yet still working with a bit more restraint than in the next decade! The style here is quite unusual – and almost more fresh than the Taylor sound of later ... CD
Howard McGhee's trumpet work for Blue Note was probably his best-ever – and it sparkles with a modernist approach to bebop that shows the early-50's maturity of the movement in the hands of its masters. McGhee leads a crackling sextet here that includes Max Roach, JJ Johnson, Kenny Drew, and ... CD
Pianist Dave Kikoski's got some great help here from Alex Sipiagin on trumpet and Seamus Blake on tenor – both players who round out the trio and help it become "The Five"! As on other records, Kikoski's approach to the keys is strongly rhythmic – often stepping forward in ... CD