This image is a general representation of the item and the actual product may differ slightly in terms of color shading, logo placement, borders, or other small details. Used items may have various cosmetic differences as well.
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Used CD Grade
We have only one grade for non-new CDs at Dusty Groove — "Used CD".
This grade is somewhat all-encompassing, but we choose it because we try to offer
Used CDs in the best shape possible. All of our Used CDs are guaranteed to play
without skipping or flaws. If you purchase a Used CD from Dusty Groove,
you have 1 week to play it to determine that it plays correctly — and if it does not,
then you may return it for a full refund.
With our Used CDs, you can expect the disc to be free of all but the lightest of
surface marks — clean, and not dirty at all. You can also expect the case to be
clean (we often change the cases ourselves — putting fresh cases on Used CDs we
handle) — and you can expect the booklet to be in good shape, unless noted
otherwise. We will list any specific details/defects underneath the item — so
look for notes on cutout marks in the case, stamps on the barcode, or details like that.
When it comes to soul jazz, you can't get any more classic than this! The title was one of the biggest jazz hits of the 60s – covered by countless other artists, but presented here in all its original brilliance in a group led by its composer, a young Nat Adderley! At the time of the record ... CD
Despite the "much brass" tag in the title, this album's really just a sextet session – and not a clunky big brass ensemble one! Cannonball's brother plays with a very swingin' sextet that includes the brassy touches of Slide Hampton on trombone and Laymon Jackson on tuba. Wynton ... CD
5 CDs – all wonderful! The set brings together 8 of Sonny Rollins' classic albums from the late 50s – Brilliant Corners, Way Out West, Jazz Contrasts, The Sound Of Sonny, That's Him!, Sonny Rollins Plays, Freedom Suite and Sonny Rollins & The Contemporary Leaders. CD
Beautiful early work from Cannonball Adderley – and a record that's quite different than most of his better known sets from the time! The album's more spare and stripped-down than usual – with Cannon's alto in a quartet alongside Bill Evans on piano, Percy Heath on bass, and Connie Kay ... CD
Nat plays with a group that's a bit more far-reaching than the classic Cannonball funk ensembles he cut his teeth on. Players include Ken McIntyre, Onaje Allen Gumbs, and John Stubblefield, and the tracks have a bit more of a spiritual quality to them, although they are not without some of the ... CD
Gentle genius from Red Garland – working here in classic trio formation with Sam Jones and Art Taylor – on a mellow set of late nite numbers and subtle ballads, all carried off in the best tradition of the Moodsville label! Eddie Lockjaw Davis joins the group on 3 tracks on the set ... CD
A classic album from Dave – recorded at Oberlin College, the mid-Ohio haven of bohemiana, and a growing hotbed of jazz activity centered around students in the college's conservatory of music. Dave and crew made the trip at the request of the kids – breaking from their mostly San ... CD
Oliver Nelson is definitely taking care of business here – thanks to some key help from the great Lem Winchester on vibes, and a young Johnny Hammond Smith on organ! The pair bring a mighty deep groove to the record – which gives Nelson a chance to show off some of the deeper tones on ... CD
One of our favorite albums by Teddy Edwards – and one with some organ in the group! This obscure quartet side has Gerry Wiggins playing a rare bit of Hammond – grooving the group with a lean and open-ended soul jazz approach that really has Edwards blowing at his best! The style sits ... CD
Nat Adderley's not actually busking in the subway – but instead playing a smoking little set at the Subway Nightclub in Cologne – working with an excellent group that includes Vincent Herring on alto sax, and some excellent rhythm work from the trio of Rob Bargad on piano, Walter Booker ... CD
Very different work than Freddie Redd's firey albums for Blue Note – a set of trio tunes that are distinctly modern, but done with a much more laidback approach. Freddie's style here has a bit of the late nite barroom feel – with some great blue notes and sadness stepping out from the ... CD