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Vinyl should be very clean, but can have less luster than near mint.
Should still shine under a light, but one or two marks may show up when tilted.
Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
This is the kind of record that will play "near mint", but which will have
some signs of use (although not major ones).
May have slight surface noise when played.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
A classic album of all-out soul from Herbie Hancock – done in close collaboration with Rod Temperton of Heatwave – in a jazzy-styled version of that group's own great groove! Temperton handled arrangements and a lot of songwriting, and most cuts have lead vocals from Wayne Anthony ... LP, Vinyl record album
A seminal jazz funk session of the 70s – Herbie Hancock's legendary meeting with The Headhunters, and a killer batch of tunes that really gave the combo their name! Herbie's playing a wide range of keys here – including Fender Rhodes, clavinet, and Arp – but almost even better is ... LP, Vinyl record album
A nice late Blue Note change from Herbie Hancock – a very different album than his previous sets for the label – in that it features a slightly larger group, and a sound that really points the way towards his directions in the 70s! There's a slightly ambitious feel to some of these ... LP, Vinyl record album
The start of funky funky Herbie Hancock! This album's the first to feature Herbie really breaking away from his straight jazz work – moving into a groove that's nice and funky, using electric piano along with acoustic, to forge the sound that he'd develop famously over the 70s. The album's ... LP, Vinyl record album
One of Miles' last great albums – a soundtrack composed in conjunction with Marcus Miller, and recorded with a mix of atmospheric electronics and trumpet solos, coming off in a way that sounds far better than most of his other attempts at this style from the time. Miller plays all the other ... LP, Vinyl record album
A super huge hit for George Benson – and the record that took him from being a funky jazz guitarist into an R&B superstar – opening up sides of his talent that first emerged on his 50s R&B recordings as Little George Benson, but taken here into some very hip 70s territory! The ... LP, Vinyl record album
Marty Paich takes on a host of Broadway tunes from the 50s – but as always with his best work, the result is something quite far from its roots – an amazing batch of jazzy instrumentals that owes very little to the original conception of the tunes! Paich's got an incredible ear for ... LP, Vinyl record album
Late 70s work from Deodato – quite different than his bossa organ work of the 60s, and early 70s funk sides – but pretty darn great nonetheless! The album shows Deodato's continuing shift towards a more soul-based sound – and it mixes together a smoother club sound with jazzier ... LP, Vinyl record album
Sweetly jazzy soul from George Benson – a key classic from his great run at Warner Brothers Records, and the kind of record that George did better than anyone else at the time! Back in the 60s, we'd never have guessed that Benson's sweetly crackling vocals would dominate popular jazz more ... LP, Vinyl record album