This image is a general representation of the item and the actual product may differ slightly in terms of color shading, logo placement, borders, or other small details. Used items may have various cosmetic differences as well.
May not shine under light, but should still be pretty clean,
and not too dirty.
May have a number of marks (5 to 10 at most), and obvious signs of play,
but never a big cluster of them, or any major mark that would be very deep.
Most marks should still not click under a fingernail.
May not look near perfect, but should play fairly well,
with slight surface noise, and the occasional click in part of a song,
but never throughout a whole song or more.
This is clearly a copy that was played by someone a number of times,
but which could also be a good "play copy" for someone new.
Condition Notes
If something is relevant, we try to describe it in the notes — especially
if it is release or pressing details,
or an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear, or strictly cosmetic flaws.
One of the great albums of trippy soul that Jerry Butler cut with his Fountain Productions group of players, arrangers, and engineers – a group that borrowed a lot of talent from the Chess/Cadet studios of the late 60s. Jerry produced with Gerald Sims, and the arrangements were handled by ... LP, Vinyl record album
Perhaps the greatest record Jerry Butler made in the 70s, and a very tight bit of baroque Chicago soul with arrangements and production by Samuel F. Brown III. The tracks are a good mix of originals and covers, and they all show Jerry going way past his Gamble & Huff/Mercury years – into ... LP, Vinyl record album
One of the most soulful sets ever recorded by the Buddy Miles Group – a really searing set of live performances from 1971, often done in a way that has the band stretching out and jamming heavily! The core group seems a bit bigger than usual – with a lineup that includes guitar and ... LP, Vinyl record album
The cover might be a bit "on the nose" – but the album itself has some really nice tracks, thanks in part to production and arrangements by Pee Wee Ellis, who always managed to get the best out of Esther during the 70s! The groove's got a lot top shelf clubby soul and easygoing ... LP, Vinyl record album
Pure crossover genius from Buddy Miles – a great mix of funky soul and rockish touches – and the kind of record that easily put Buddy in the same camp as Sly Stone or The Isley Brothers with mainstream audiences of the time! Tracks here are a bit longer and more jamming than work by ... LP, Vinyl record album
Killer Four Tops material from the early 70s – and a record that proved that they didn't need to be on Motown to still keep churnin' out the hits! The sound is sophisticated, and pushes past the standard format of the group's good-selling records for Motown – hitting a classic AM Radio ... LP, Vinyl record album
A wonderful album from Sly and crew – moving way past the straight funk approach of earlier records, into a complicated crossover soul style that's filled with warmth and righteousness. Despite the political tone implied by the "riot" in the title and the co-option of the American ... LP, Vinyl record album
One of the sweetest Funkadelic albums from the middle period, and a good batch of tracks that often gets overlooked in the haze of similar Pedro Bell covers! Don't miss this one, though – because it is a very strong album – key in the shift from more guitar-based funk to more groove-ori ... LP, Vinyl record album
One of the best Stevie Wonder albums ever! Stevie's moving into god-like territory here – handling a multitude of styles, all well, and crafting some of the most sophisticated soul of his generation. The album's got the same jazzy references you'll find on the best work by Donny Hathaway ... LP, Vinyl record album