This image is a general representation of the item and the actual product may differ slightly in terms of color shading, logo placement, borders, or other small details. Used items may have various cosmetic differences as well.
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Used CD Grade
We have only one grade for non-new CDs at Dusty Groove — "Used CD".
This grade is somewhat all-encompassing, but we choose it because we try to offer
Used CDs in the best shape possible. All of our Used CDs are guaranteed to play
without skipping or flaws. If you purchase a Used CD from Dusty Groove,
you have 1 week to play it to determine that it plays correctly — and if it does not,
then you may return it for a full refund.
With our Used CDs, you can expect the disc to be free of all but the lightest of
surface marks — clean, and not dirty at all. You can also expect the case to be
clean (we often change the cases ourselves — putting fresh cases on Used CDs we
handle) — and you can expect the booklet to be in good shape, unless noted
otherwise. We will list any specific details/defects underneath the item — so
look for notes on cutout marks in the case, stamps on the barcode, or details like that.
A great little record that's kind of a prequel for Rubber Soul – filled with short, tuneful tracks that would flower more deeply on that later album – and often served up with a bit more wit and adult consciousness than in any of the group's earlier records! One of those records that ... CD
Both albums complete on one CD! Tracks include "Streets Of Baltimore", "She", "How Much I've Lied", "Still Feeling Blue", "Hearts On Fire", "$1000 Wedding", "Love Hurts", and "In My Hour Of Darkness". CD
A second volume of reworkings of vintage Morricone – this time with an even more profound club bounce than the first! The unofficial theme of the set can pretty much be found in the phrase "Cinematic For The People!" – and that mantra hits home with mixes by a wide, wide ... CD
Always-enigmatic work from Jon Hassell – hardly a trumpeter with a familiar sound, and a player who almost creates a genre unto himself! The work here is a great extension of the EG Records sides Hassell did with Brian Eno – and like those dates, Eno's on board for production, working ... CD