This image is a general representation of the item and the actual product may differ slightly in terms of color shading, logo placement, borders, or other small details. Used items may have various cosmetic differences as well.
We realize that there are many different interpretations of the standard grades used
for pre-owned vinyl record albums & CD, so we thought we'd offer you the ones that we are working with,
so you have an idea what we mean when we give the grade for a non-new item on our pages.
Used Vinyl Grades
Below are stated conditions for a used vinyl records at Dusty Groove. Grading for
the cover should be assumed to be near (within a "+" or "-")
the grading for the vinyl.
If there is significant divergence from the condition of the vinyl, or specific flaws,
these will be noted in the comments section of the item. However, please be aware that
since the emphasis of this site is towards the music listener, our main concern is with
the vinyl of any used item we sell. Additionally, please note that all of our records
are graded visually; considering the volume of used vinyl we handle, it is impossible
for us to listen to each record. If we spot any significant flaws, we make every attempt
to listen through them and note how they play.
The following grading conditions apply to the vinyl component of an album or single:
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Beautifully complex work from Keith Jarrett – and one of the 70s albums that really shows his blossoming past jazz into a whole realm of new styles! The album features some works for instrumental ensembles – including a String Quartet and a Brass Quartet – plus a large orchestral ... LP, Vinyl record album
A beautiful solo set from Steve Kuhn – recorded in the mid 70s, with an even more careful, thoughtful tone than some of his other albums of the decade! Steve's piano is captured in a warmly intimate setting – somewhat echoey at points, and spinning out with these captivating lines and ... LP, Vinyl record album
A very unusual record – one that has Keith Jarrett playing some solo organ – and a baroque organ at that – but in ways that are quite different than you might expect! The sounds here are amazing – almost noisy at points, as Jarrett really works the instrument in an ... LP, Vinyl record album
One of Marion Brown's more ambitious albums – and a key bridge from his freer work of the late 60s, to his more contemplative sides of the early 70s. The instrumentation on the set's a bit more expanded than on other Brown albums – with saxes by Anthony Braxton and Bennie Maupin, piano ... LP, Vinyl record album
A beautiful large-concept album from Keith Jarrett – one that features his piano, the bass of Charlie Haden, and the tenor and soprano sax of Jan Garbarek as the main solo instruments over larger string orchestrations! There's a sense of excitement to the record right from the start – ... LP, Vinyl record album
A key early moment for Keith Jarrett – his first-ever solo album, recorded in the early 70s for ECM – and the start of a huge legacy of later work! Before this set, Jarrett had recorded some compelling trio material for Atlantic – and he was also exploring more spiritually ... LP, Vinyl record album
Classic bit of 70's fusion, played by Ronnie on tenor and flute, and with a group that includes some excellent keyboard work by Joe Sample. The highlight of the record is the big sample cut "Tidal Wave", but it also includes the great groover "Always There", which was covered a ... LP, Vinyl record album
Groove and Jug wail away in this classic set of tenor/organ tracks recorded for Pacific Jazz in the early 60s. The backing is spare, with only Gene Edwards on guitar and Leroy Henderson on drums, and tracks include "Morris The Minor", "Good Vibrations", "Hey You, What's ... LP, Vinyl record album
A surprisingly groovy set of mid 60s tunes by Gerry – recorded in LA with backing by a small group that includes the great Hal Blaine on drums and Pete Jolly on piano, plus a string section conducted by Harry Bluestone. Mulligan's main role is to lay down some moody solos – in a manner ... LP, Vinyl record album