This image is a general representation of the item and the actual product may differ slightly in terms of color shading, logo placement, borders, or other small details. Used items may have various cosmetic differences as well.
Vinyl should be very clean, but can have less luster than near mint.
Should still shine under a light, but one or two marks may show up when tilted.
Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
This is the kind of record that will play "near mint", but which will have
some signs of use (although not major ones).
May have slight surface noise when played.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
A fantastic bit of late 60's funk, and a surprisingly slammin' record from Dizzy! The album's got tight, hard, choppy funk arrangements from Ed Bland – who went onto to do some great work at the Perception label – and the group features James Moody blowing hard lean funky solos right ... LP, Vinyl record album
One of the strongest sides to feature Diz's mid 50s format – a larger group than usual, an octet, with a more tightly arranged style that showed that he continued to develop as an artist long after the days of his early bop sides. The album's also noteworthy for demonstrating Dizzy's great ... LP, Vinyl record album
While actually not as electrifying as some of Dizzy's other albums from the time, this one's still pretty darn great, and features his great group with Leo Wright on alto and Lalo Schfrin on piano. The band grooves with a subtly Latinish vibe, and the tracks are nice and long long long. Titles ... LP, Vinyl record album
Diz breaks past his bop playing, takes a bit of a turn towards swing-based material, and also hits this nice rolling groove that gives a bit of a peek at the way he'd sound in the 60's, when he had Lalo Schifrin on piano, and more of a Latin sound. He's backed here by Junior Mance on piano, Les ... LP, Vinyl record album
A wonderful example of the openness of the Paris scene in the 50s – and a record that's co-led by Belgian Bobby Jaspar and British Don Rendell – both of whom play tenors on the set! The rest of the group includes Sacha Distel on guitar, David Amram on cornet, Maurice Vander on piano, ... LP, Vinyl record album
A great Japanese release – with vintage 1953 material from Lars Gullin – on tracks that include "The Front", "The Boy Next Door", "Hershey Bar", "Ablution", and "Lady Fingers". Side two features even rarer material from Jay Cameron ... LP, Vinyl record album
A rare early European jazz moment – and a very cool combo! The group is led by the mighty Fats Sadi on vibes – later of Clarke/Boland fame – and the group features Maurice Vander on piano, Roger Guerin on trumpet, and Bobby Jaspar on tenor! LP, Vinyl record album
Original 10" issue of the third part of Sidney Bechet's concert at the Salle Pleyel in 1953 – recorded in Paris, with tracks that include "Dippermouth Blues" "I've Found A New Baby", "Society Blues", and "I Got Rhythm". LP, Vinyl record album
A beautiful record, and one of the few albums ever cut as a leader by alto player Leo Wright! At the time of the set, Wright was really making some excellent records with Lalo Schifrin and in Dizzy Gillespie's group (where they both were working at the time) – and this set is a perfect ... LP, Vinyl record album