This image is a general representation of the item and the actual product may differ slightly in terms of color shading, logo placement, borders, or other small details. Used items may have various cosmetic differences as well.
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Used CD Grade
We only use the grade "Used CD" for non-new CDs.
This all-encompassing grade was chosen it because we only buy and offer
used CDs in the best possible condition.
When you purchase a used CD you can expect the disc to be free of all but the
lightest of surface marks, the case to be clean (we often change the cases ourselves),
and the booklet to be in good shape.
Used CDs may show some signs of use, but if there are significant details or
defects we will describe the item's condition (just like we do with LPs),
so look for notes on cutout marks, stickers, promo stamps or other details before ordering.
All of our used CDs are guaranteed to play without skipping or flaws.
After you receive a used CD from Dusty Groove, you have 1 week to play it to determine
that it plays correctly.
If it does not, you can request a return for a full refund.
With 19 tracks including "Fine Dinner", "She's Funny That Way", "Say It Isn't So", "Sheik Of Araby", "Angel Face", "Body & Soul", "Bouncing With Bean", and "Bean Stalks Again". CD
Strictly Bud Powell, in the best sense of the word – as the album's a sharp batch of trio tracks recorded for RCA in the 50s, and a great showcase for Bud's firey talents on the piano! The rhythm combo features bold work on drums from Art Taylor, alongside the bass of George Duvivier – ... CD
Features Tom Harrell on trumpet and flugelhorn, Don Braden and Joe Lovano on tenor saxophone Gary Smulyan on bass clarinet, Rob Botti on oboe, Steve Turre on trombone, Kenny Werner on piano, Larry Grenadier on bass, and Billy Hart on drums. CD
A nice little set from Henry Threadgill – one of the albums that gave him greatest exposure to a bigger audience, and a set that pushes the sound of his work nicely! The record's got some of those touches from a time when the AACM was reaching out with its sound from earlier years – a ... CD
Genius in one of its purest forms! Paul Desmond's alto sax was honed to perfection by the time of these recordings – worked out through fame in the Dave Brubeck Quartet years of the late 50s and early 60s, but also relaxed in a confidence that makes these sides completely majestic, and ... CD
A key record in the career of saxophone genius Harold Vick – one of our favorite players ever! Vick is a tremendous talent – the kind of guy we want to build memorials to, reissue albums by, and rewrite jazz history books so that every one knows how wonderful his work truly is. This ... CD
One of Bobby Hutcherson's most important albums ever – and an essential piece of "new thing" jazz that ranks up there with such key Blue note sessions of the genre as Tony Williams' album Life Time, Dolphy's Out To Lunch, and Jackie McLean's One Step Beyond! Hutcherson's sound on ... CD
Phil Woods is one of those folks who still sounds great as the years go on – never failing to grab us with his amazing lines on alto sax, and his ever-creative energy on his solos! This album's got less of the Charlie Parker aspects than you might guess from the title – although there's ... CD