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May not shine under light, but should still be pretty clean,
and not too dirty.
May have a number of marks (5 to 10 at most), and obvious signs of play,
but never a big cluster of them, or any major mark that would be very deep.
Most marks should still not click under a fingernail.
May not look near perfect, but should play fairly well,
with slight surface noise, and the occasional click in part of a song,
but never throughout a whole song or more.
This is clearly a copy that was played by someone a number of times,
but which could also be a good "play copy" for someone new.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Vocalist Al Smith is backed by Eddie Lockjaw Davis' group with Shirley Scott on organ – making for a hip little set that's got a rougher edge than most of the other vocal albums on Prestige. The label delegation for this one was Prestige's Bluesville imprint, but that's not exactly right ... LP, Vinyl record album
A very obscure album on Philly International – and a rare Gamble-Huff blues session, cut by the legendary Bobby Rush. Chicago blues singer Bobby had been knocking around indie labels for the better part of the 70s, then strangely got the chance to work for Philly at the end of the decade ... LP, Vinyl record album
A bit bluesier than some of Sonny's other records for Enterprise at the time – but still with some nice funky moments! The backing on the set has a compressed sweet Memphis groove – nice and soulful on the best tracks, slinking along in a slow funky groove underneath Sonny's harmonica ... LP, Vinyl record album