This image is a general representation of the item and the actual product may differ slightly in terms of color shading, logo placement, borders, or other small details. Used items may have various cosmetic differences as well.
We realize that there are many different interpretations of the standard grades used
for pre-owned vinyl record albums & CD, so we thought we'd offer you the ones that we are working with,
so you have an idea what we mean when we give the grade for a non-new item on our pages.
Used Vinyl Grades
Below are stated conditions for a used vinyl records at Dusty Groove. Grading for
the cover should be assumed to be near (within a "+" or "-")
the grading for the vinyl.
If there is significant divergence from the condition of the vinyl, or specific flaws,
these will be noted in the comments section of the item. However, please be aware that
since the emphasis of this site is towards the music listener, our main concern is with
the vinyl of any used item we sell. Additionally, please note that all of our records
are graded visually; considering the volume of used vinyl we handle, it is impossible
for us to listen to each record. If we spot any significant flaws, we make every attempt
to listen through them and note how they play.
The following grading conditions apply to the vinyl component of an album or single:
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
One of the standout gems from Lionel Hampton's 50s sessions for Verve – wonderful small combo recordings that let Hamp stretch out in freer solo space than usual! Although the Hampton fame always lay in his popularly-touring bigger band, and all its related pyrotechnics, we've always loved ... LP, Vinyl record album
One of Hamp's jazz sides for Verve, all of which were a lot different than the hard live sets he was still laying down around the world in the 50's. This one's a nice laid-back bit of jazz, with long tracks that let all the players – Hamp, Oscar Peterson, Ray Brown, and Buddy Rich – ... LP, Vinyl record album
A great little set of instrumental tracks from Lionel Hampton – almost more soul than jazz, and set to some hipper than usual Brunswick Records arrangements – by the likes of Eugene Record, Willie Henderson, Sonny Sanders, and Hamilton Bohannon! The setting is a great showcase for Hamp' ... LP, Vinyl record album
One of our 50s favorites by Miles Davis – and a record that offers the same twin-sax sound as his classic Kind Of Blue – with both John Coltrane and Cannonball Adderley working alongside Miles in the group! Rhythm here is by the Prestige-era trio of Red Garland on piano, Paul Chambers ... LP, Vinyl record album
A beautiful collection of work around the albums Seven Steps To Heaven, Quiet Nights, My Funny Valentine, Four & More, and the albums Miles Davis In Europe, Berlin, & Tokyo – plus unreleased music too! LP, Vinyl record album
One of the biggest albums ever from pianist Burton Greene – a set that also features the great Byard Lancaster on alto and trumpet, and which mixes in some hip electronic harpsichord as well – all in a mode that's wonderfully trippy and spellbinding! Tracks include "Nirvana ... LP, Vinyl record album
Pretty hip stuff, with a definite Coltrane influence – and Larry Young in the group on organ, along with Billy Cobham on drums and Armando Peraza on congas. Titles include "Naima", "A Love Supreme", "Let Us Go Into The House Of The Lord", "Meditation", ... LP, Vinyl record album
A wonderful bit of soul jazz – much less trippy than some of Charles Lloyd's later work, and handled with a soulful flair that's a mix of Coltrane spiritualism, with an even larger dose of the sort of post-Trane experiments in jazz that would crop up during the early 70s on smaller ... LP, Vinyl record album