This image is a general representation of the album cover, but the actual product may differ slightly in terms of color shading, logo placement, borders, or other small details. If the item offered is a used, second-hand item, please note that there may be some cosmetic differences as well.
(6 eye stereo pressing. Cover has a bit of pen on back.)
We realize that there are many different interpretations of the standard grades used
for pre-owned vinyl record albums & CD, so we thought we'd offer you the ones that we are working with,
so you have an idea what we mean when we give the grade for a non-new item on our pages.
Used Vinyl Grades
Below are stated conditions for a used vinyl records at Dusty Groove. Grading for
the cover should be assumed to be near (within a "+" or "-") the grading for the vinyl.
If there is significant divergence from the condition of the vinyl, or specific flaws,
these will be noted in the comments section of the item. However, please be aware that
since the emphasis of this site is towards the music listener, our main concern is with
the vinyl of any used item we sell. Additionally, please note that all of our records
are graded visually; considering the volume of used vinyl we handle, it is impossible
for us to listen to each record. If we spot any significant flaws, we make every attempt
to listen through them and note how they play.
The following grading conditions apply to the vinyl component of an album or single:
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
A killer set from the great Lionel Hampton – the first issued on his own small indie label! The group here is that hip 50s ensemble that had Hamp really evolving past his roots, and allowing lots of room for up-and coming younger players – including Harold Mabern on piano, Calvin ... LP, Vinyl record album
One of the few albums to really get at the genius of the Lionel Hampton group at the height of their powers – their crowd-pleasing antics that were always a big draw for live audiences! This set catches Hamp and a great group at the Pasadena Civic Auditorium – playing on long tracks ... LP, Vinyl record album
Paris was always great to Lionel Hampton – but it seemed like in the mid 50s, he cut some of his best work of the decade in the city! This set features a great batch of track that Hamp cut in the company of travelling American jazz greats like Benny Bailey, Nat Adderley, and David Amram, ... LP, Vinyl record album
Very groovy work from Lionel Hampton – a late 50s return to big band work, after a fair bit of small combo sessions for Verve! The album's got an upbeat feel that's partially in the Hampton mode of years back, but often more towards a 60s sort of vibe – romping with some rockish ... LP, Vinyl record album
The tinkling jazzy piano of Clare Fischer is heard here on this rare one-off session he did for Columbia – a bit different than some of his other 60s work, but still plenty darn great! The record's not as crazy as some of his Latin LPs, or as the work he did with Cal Tjader, but this one has ... LP, Vinyl record album
Fully-formed genius from the amazing Rodney Franklin – one of the best keyboard stars to emerge from the late 70s scene! Franklin's got a great talent for balancing influences from jazz and soul in ways that are similar to contemporaries George Duke and Bobby Lyle – and like both of ... LP, Vinyl record album
Excellent Duke Ellington work from the late 50s – written and recorded during a period in which he was reemerging with a stronger jazz vision than ever before! The set was written by Ellington and Strayhorn – and dedicated to the Shakespeare Festival in Stratford, Ontario – but ... LP, Vinyl record album