CD, LP, Vinyl record album cover art
View larger image       Image note

Biz Never Sleeps (special edition with bonus tracks)

CD (Item 601111) Cold Chillin/Traffic, 1989 — Condition: New Copy
Out Of Stock


4.60 4

Biz's second LP from 1989 – what can we tell you about the Biz that you don't already know? As far as we're concerned there are a lot of MCs that could still learn a lesson or two from the Biz, and producers too! Good time mid school hip hop, with nice sample based production and a great sense of humor, that makes us nostalgic for the late 80s early 90s glory days. 13 tracks in all, with the cuts "Spring Again", "Just A Friend", "A Thing Named Kim", "The Dragon", "Things Get A Little Easier", "I Hear Music", "Biz In Harmony", "Check It Out" and more. This 2012 special edition includes 5 bonus 12" versions: "Just A Friend (12" Version)", "Just A Friend (Instrumental)", "Spring Again (Club Mix)", "Spring Again (12" Remix)" and "Spring Again (Dub)". (This special edition features a slightly different shot of Science Lab Biz than the original! Includes 5 bonus tracks.)  © 1996-2015, Dusty Groove, Inc.

We realize that there are many different interpretations of the standard grades used for pre-owned vinyl record albums & CD, so we thought we'd offer you the ones that we are working with, so you have an idea what we mean when we give the grade for a non-new item on our pages.

Used Vinyl Grades

Below are stated conditions for a used vinyl records at Dusty Groove. Grading for the cover should be assumed to be near (within a "+" or "-") the grading for the vinyl. If there is significant divergence from the condition of the vinyl, or specific flaws, these will be noted in the comments section of the item. However, please be aware that since the emphasis of this site is towards the music listener, our main concern is with the vinyl of any used item we sell. Additionally, please note that all of our records are graded visually; considering the volume of used vinyl we handle, it is impossible for us to listen to each record. If we spot any significant flaws, we make every attempt to listen through them and note how they play.

The following grading conditions apply to the vinyl component of an album or single:


This is what it says, that the record is still held fast in shrink-wrap. We tend to be pretty suspicious about these things, so if the shrink-wrap doesn't look original, or if the record seems to have undergone some damage over time, we'll probably take it out of the wrapper to ensure that it's in good shape — which is why we don't have more of these. In some cases the shrink-wrap may be torn in spots, but if it's not possible the record has been taken out and played, the record will still qualify as "Sealed".

Near Mint

As a rule, Dusty Groove does not use the grades of Near Mint (or Mint, for that matter) because in our experience, we find that no records ever qualify for such a high grade. Even sealed records tend to have one or two slight faults, enough to usually qualify them for a grade of NM- or lower. We've often found that records which are clearly unplayed will have a slight amount of surface noise, especially in quieter recordings.

Near Mint - (minus)

  • Black vinyl that may show a slight amount of dust or dirt.
  • Should still be very shiny under a light, even with slight amount of dust on surface.
  • One or two small marks that would make an otherwise near perfect record slightly less so. These marks cannot be too deep, and should only be surface marks that won't affect play, but might detract from the looks.
  • May have some flaws and discoloration in the vinyl, but only those that would be intrinsic to the pressing. These should disappear when the record is tilted under the light, and will only show up when looking straight at the record. (Buddah and ABC pressings from the 70's are a good example of this.)
  • May have some slight marks from aging of the paper sleeve on the vinyl.
  • Possible minor surface noise when played.

Very Good + (plus)

  • Vinyl should be very clean, but can have less luster than near mint.
  • Should still shine under a light, but one or two marks may show up when tilted.
  • Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
  • This is the kind of record that will play "near mint", but which will have some signs of use (although not major ones).
  • May have slight surface noise when played.

Very Good

  • Vinyl can have some dirt, but nothing major.
  • May not shine under light, but should still be pretty clean, and not too dirty.
  • May have a number of marks (5 to 10 at most), and obvious signs of play, but never a big cluster of them, or any major mark that would be very deep. Most marks should still not click under a fingernail.
  • May not look near perfect, but should play fairly well, with slight surface noise, and the occasional click in part of a song, but never throughout a whole song or more.
  • This is clearly a copy that was played by someone a number of times, but which could also be a good "play copy" for someone new.

Very Good - (minus)

  • Vinyl may be dirty, and can lack a fair amount of luster.
  • Vinyl can have a number of marks, either in clusters or smaller amounts, but deeper.
  • This is the kind of record that you'd buy to play, but not because it looked that great. Still, the flaws should be mostly cosmetic, with nothing too deep that would ruin the overall record.
  • Examples include a record that has been kept for a while in a cover without the paper sleeve, or heavily played by a previous owner and has some marks across the surface. The record should play okay, though probably with surface noise.

Good + (plus)

  • Vinyl may be dirty, or have one outstanding flaw, such as a light residue, which could be difficult to clean.
  • May have marks on all parts, too many to qualify as Very Good-, or several deeper marks, but the record should still be ok for play without skips.
  • In general, this is a record that was played a fair amount, and handled without care. A typical example may be a record which has been heavily played by a DJ, and carries marks from slip cueing. Depending on the quality of the vinyl, may play with surface noise throughout.


  • A record that you'd buy to play, cheap, but which you wouldn't buy for collecting.
  • Will have marks across all parts of the playing surface, and will most likely play with surface noise throughout. May have some other significant flaws, such as residue, or a track that skips.
  • In most cases, a poor quality copy of a very difficult to find record.


This is a grade we rarely use, as we try not to sell records in very bad condition, though in some rare cases we will list a record in such bad shape that it does not conform to the standards above. A "Fair" record will have enough marks or significant flaws that it does not even qualify as "Good", but is a copy you might consider for playing, if you're willing to put up with noise and/or flaws. An example might be a recording with surface noise so heavy that it is equal to the volume of the music. For records listed as "Fair", we will describe the extent of the condition in the comments.


Like "Fair", we rarely list records in this condition, as they represent the extreme low end of spectrum. These records typically have multiple serious problems, and we offer them as "relics" or "objects" only — for those who want to at least have a copy of a record, even if it is not really worthy of play, perhaps for the cover alone. For these records, we will describe the extent of the condition in the comments.

Additional Marks & Notes

If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.

Used CD Grade

We have only one grade for non-new CDs at Dusty Groove — "Used CD". This grade is somewhat all-encompassing, but we choose it because we try to offer Used CDs in the best shape possible. All of our Used CDs are guaranteed to play without skipping or flaws. If you purchase a Used CD from Dusty Groove, you have 1 week to play it to determine that it plays correctly — and if it does not, then you may return it for a full refund.

With our Used CDs, you can expect the disc to be free of all but the lightest of surface marks — clean, and not dirty at all. You can also expect the case to be clean (we often change the cases ourselves — putting fresh cases on Used CDs we handle) — and you can expect the booklet to be in good shape, unless noted otherwise. We will list any specific details/defects underneath the item — so look for notes on cutout marks in the case, stamps on the barcode, or details like that.

You might be interested in

CD, LP, Vinyl record album cover art
Metal Face, 1994. New Copy 2 CDs
A legendary record from KMD – one that languished unreleased for far too long! Black Bastards has few tracks the maintain the jazzier sound of the first album, but they're mostly coming a little bit rawer, perfectly balancing their earlier style that gritty early 90s hip hop vibe. As solid as ... CD
CD, LP, Vinyl record album cover art
Delicious Vinyl, 2008. New Copy
The J Dilla beats that provided the stellar backdrop for his worthy brother Illa J's rhymes – the instrumentals for the Yancey Boys album – a record that stands up very well against many of the better LPs Dilla produced in his lifetime. It could have gone wrong in a number of ways for ... CD
CD, LP, Vinyl record album cover art
Madlib Invazion, 2014. New Copy
Smart , streetwise raps from Freddie Gibbs, backed by restlessly inventive production from Madlib – here on one of the best records yet on 'Lib's own Madlib Invazion imprint! If you'll forgive us a little bit of repetition – because we KNOW we've written this before – there's ... CD
CD, LP, Vinyl record album cover art
Linear Labs, 2015. New Copy 2 CDs
A superior sequel to Ghostface Killah & Adrian Younge's Twelve Reasons To Die saga – cementing the mid teens Ghostface creative resurgence in a major way – with some of the finest production work by Younge to date! It's a stunning reminder of how sharp Ghostface can be this late in ... CD
CD, LP, Vinyl record album cover art
Redefinition, 2015. New Copy Gatefold
CD...$9.99 11.98
A pair of solid instrumentals sets by Klaus Layer, originally issued as separate limited edition vinyl sets – back-to-back on CD! Restless Adventures is rich with heavy, headnodding beats – clearly influenced by classic early 90s hip hop production – but Klausputs a timeless, ... CD
CD, LP, Vinyl record album cover art
Computer Ugly, 2014. New Copy Gatefold
Detroit producer/MC double threat Black Milk doing his thing as sharply as on anything he's done in the past few years! He's certainly at a near peak on the production tip here – which is saying something, given how high up on the top shelf of post millenium hip hop production he sits – ... CD
CD, LP, Vinyl record album cover art
36 Seasons
Tommy Boy, 2014. New Copy
A really stunning set from Ghostface Killah – a record that has the Wu-Tang legend teaming up with soul group The Revelations – who produce the set, participate, and bring in a really wonderful old school vibe! The album's still hip hop at the core – with guest appearances from ... CD
CD, LP, Vinyl record album cover art
Fat Beats, 2015. New Copy
Hip hop veteran and legendary producer Large Professor still going strong – staying true to his roots in the raw, hard-hitting beatcraft of the golden age sound he helped pioneer – but sounding perfectly relevent here and now! It's always heartening to us one our heroes of a bygone era ... CD
CD, LP, Vinyl record album cover art
Mr Mean/Gold
Mercury/BGO (UK), 1976/1977. New Copy
Two 70s gems from the Ohio Players – back to back in a single set! Mr Mean is a lesser-known 70s album by The Ohio Players – tunes recorded for the soundtrack of the late blacksploitation film Mr Mean, but also very much in the tight funk format of the group's Mercury work! Tracks are ... CD
CD, LP, Vinyl record album cover art
Columbia/BGO (UK), 1982/1983. New Copy
Sweet sax from the great Tom Scott – two early 80s Columbia albums in a single package! Desire is proof that Scott could still make an electric jazz album sound more soulful than most of his mainstream contemporaries! There's a really great sense of balance here – production that's ... CD
CD, LP, Vinyl record album cover art
Warner/BGO (UK), Late 80s. New Copy 2CD
Three albums from the late 80s – all of which show Earl Klugh still going strong, and very much at the top of his game! Soda Fountain Shuffle is a set that's got plenty of electric elements in the rhythms, mixed with lots of acoustic interplay from Earl over the top! Klugh's touch on the ... CD
CD, LP, Vinyl record album cover art
Live At Montreux
Windham Hill/Adventure, 1985. New Copy
A beautiful little record from this overlooked Windham Hill team – pianist Barbara Higbie and violinist Darrol Anger – working here in an open live setting that really lives up to the best spirit of the label! Both instruments are used in very fresh ways – moving through that new ... CD

⇑ Top