CD, LP, Vinyl record album cover art
Enlarge       Note

Life's Force

LP (Item 601071) About Time, 1979 — Condition: New Copy
$7.99 ...

LP, Vinyl record album

List Price: 11.99
(€6.83 || £6.15 || ¥884) (approx.)

A crowning moment of achievement for trumpeter Ahmed Abdullah – a record that draws on his rich experience working with Sun Ra, but focuses the energy into a warmer, more spiritual jazz setting overall! The album's a lost treasure from the US scene of the late 70s – a perfect melding of jazz modes of the time, and one of those dates that somehow has all the players sounding even better than usual – really hitting a unique space together – one that's rhythmic, yet searching – free, yet structured – and always open to new ideas throughout! In addition to trumpet from Abdullah, the group also features vibes from Jay Hoggard, French horn from Vincent Chaney, cello from Muneer Abdul Fatah, bass from Jerome Hunter, and drums from Rashied Sinan. Hunter's bass is an especially moving force in the session – giving the album a warm, soulful current that really holds things together – and titles include "Song of Tenderness", "Eternal Spiraling Spirit", "Long Time Black", and "Life's Force".  © 1996-2017, Dusty Groove, Inc.

We realize that there are many different interpretations of the standard grades used for pre-owned vinyl record albums & CD, so we thought we'd offer you the ones that we are working with, so you have an idea what we mean when we give the grade for a non-new item on our pages.

Used Vinyl Grades

Below are stated conditions for a used vinyl records at Dusty Groove. Grading for the cover should be assumed to be near (within a "+" or "-") the grading for the vinyl. If there is significant divergence from the condition of the vinyl, or specific flaws, these will be noted in the comments section of the item. However, please be aware that since the emphasis of this site is towards the music listener, our main concern is with the vinyl of any used item we sell. Additionally, please note that all of our records are graded visually; considering the volume of used vinyl we handle, it is impossible for us to listen to each record. If we spot any significant flaws, we make every attempt to listen through them and note how they play.

The following grading conditions apply to the vinyl component of an album or single:

Sealed

This is what it says, that the record is still held fast in shrink-wrap. We tend to be pretty suspicious about these things, so if the shrink-wrap doesn't look original, or if the record seems to have undergone some damage over time, we'll probably take it out of the wrapper to ensure that it's in good shape — which is why we don't have more of these. In some cases the shrink-wrap may be torn in spots, but if it's not possible the record has been taken out and played, the record will still qualify as "Sealed".

Near Mint

Dusty Groove does not use the grades of Near Mint (or Mint, for that matter) because in our experience, we find that no records ever qualify for such a high grade. Even sealed records tend to have one or two slight faults, enough to usually qualify them for a grade of NM- or lower. We've often found that records which are clearly unplayed will have a slight amount of surface noise, especially in quieter recordings.

Near Mint - (minus)

  • Black vinyl that may show a slight amount of dust or dirt.
  • Should still be very shiny under a light, even with slight amount of dust on surface.
  • One or two small marks that would make an otherwise near perfect record slightly less so. These marks cannot be too deep, and should only be surface marks that won't affect play, but might detract from the looks.
  • May have some flaws and discoloration in the vinyl, but only those that would be intrinsic to the pressing. These should disappear when the record is tilted under the light, and will only show up when looking straight at the record. (Buddah and ABC pressings from the 70's are a good example of this.)
  • May have some slight marks from aging of the paper sleeve on the vinyl.
  • Possible minor surface noise when played.

Very Good + (plus)

  • Vinyl should be very clean, but can have less luster than near mint.
  • Should still shine under a light, but one or two marks may show up when tilted.
  • Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
  • This is the kind of record that will play "near mint", but which will have some signs of use (although not major ones).
  • May have slight surface noise when played.

Very Good

  • Vinyl can have some dirt, but nothing major.
  • May not shine under light, but should still be pretty clean, and not too dirty.
  • May have a number of marks (5 to 10 at most), and obvious signs of play, but never a big cluster of them, or any major mark that would be very deep. Most marks should still not click under a fingernail.
  • May not look near perfect, but should play fairly well, with slight surface noise, and the occasional click in part of a song, but never throughout a whole song or more.
  • This is clearly a copy that was played by someone a number of times, but which could also be a good "play copy" for someone new.

Very Good - (minus)

  • Vinyl may be dirty, and can lack a fair amount of luster.
  • Vinyl can have a number of marks, either in clusters or smaller amounts, but deeper.
  • This is the kind of record that you'd buy to play, but not because it looked that great. Still, the flaws should be mostly cosmetic, with nothing too deep that would ruin the overall record.
  • Examples include a record that has been kept for a while in a cover without the paper sleeve, or heavily played by a previous owner and has some marks across the surface. The record should play okay, though probably with surface noise.

Good + (plus)

  • Vinyl may be dirty, or have one outstanding flaw, such as a light residue, which could be difficult to clean.
  • May have marks on all parts, too many to qualify as Very Good-, or several deeper marks, but the record should still be ok for play without skips.
  • In general, this is a record that was played a fair amount, and handled without care. A typical example may be a record which has been heavily played by a DJ, and carries marks from slip cueing. Depending on the quality of the vinyl, may play with surface noise throughout.

Good

  • A record that you'd buy to play, cheap, but which you wouldn't buy for collecting.
  • Will have marks across all parts of the playing surface, and will most likely play with surface noise throughout. May have some other significant flaws, such as residue, or a track that skips.
  • In most cases, a poor quality copy of a very difficult to find record.

Fair

This is a grade we rarely use, as we try not to sell records in very bad condition, though in some rare cases we will list a record in such bad shape that it does not conform to the standards above. A "Fair" record will have enough marks or significant flaws that it does not even qualify as "Good", but is a copy you might consider for playing, if you're willing to put up with noise and/or flaws. An example might be a recording with surface noise so heavy that it is equal to the volume of the music. For records listed as "Fair", we will describe the extent of the condition in the comments.

Poor

Like "Fair", we rarely list records in this condition, as they represent the extreme low end of spectrum. These records typically have multiple serious problems, and we offer them as "relics" or "objects" only — for those who want to at least have a copy of a record, even if it is not really worthy of play, perhaps for the cover alone. For these records, we will describe the extent of the condition in the comments.

Additional Marks & Notes

If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.


Used CD Grade

We have only one grade for non-new CDs at Dusty Groove — "Used CD". This grade is somewhat all-encompassing, but we choose it because we try to offer Used CDs in the best shape possible. All of our Used CDs are guaranteed to play without skipping or flaws. If you purchase a Used CD from Dusty Groove, you have 1 week to play it to determine that it plays correctly — and if it does not, then you may return it for a full refund.

With our Used CDs, you can expect the disc to be free of all but the lightest of surface marks — clean, and not dirty at all. You can also expect the case to be clean (we often change the cases ourselves — putting fresh cases on Used CDs we handle) — and you can expect the booklet to be in good shape, unless noted otherwise. We will list any specific details/defects underneath the item — so look for notes on cutout marks in the case, stamps on the barcode, or details like that.


You might be interested


Outer & Interactions
About Time, 1988. New Copy
LP...$7.99 11.99
A really rich combination of sounds – one of those rare moments when the end result of a session comes out sounding way more than the instruments that comprise it! The group's led by Jerome Cooper on drums, balaphone, and other percussion – and features Joseph Jarman on tenor and flute ... LP, Vinyl record album
Quartet – Vortices
Ears & Eyes, 2016. New Copy
A really wonderful album from the hard-burning contemporary Chicago scene – a set that may not get the global attention as some other records on bigger labels, but one that's equally well-deserving of recognition! Tenorist Nate Lepine is at the head of the group, but the whole quartet is a ... LP, Vinyl record album
Blue Note (Spain), 1962. New Copy (reissue)
An amazingly simple – but amazingly satisfying session from Dexter Gordon! The group's a totally solid quartet with Sonny Clark on piano, Butch Warren on bass, and Billy Higgins on drums – and the groove is right in the pocket with a solid solid soulful feel that you don't always get ... LP, Vinyl record album
Pourquoi
Trad Vibe (France), 1978. New Copy (reissue)
A lost later slice of work from Cortex – a bit tighter than some of the group's previous albums, but equally funky overall! There's a bit less jamming here than before, the Cortex have definitely developed an ear for the dancefloor – a jazzy funk style that would be perfect in the ... LP, Vinyl record album
Axiom
Sonet/Rune Grammafon (Norway), 1963. New Copy (reissue)
One of the rarest free jazz albums of the European 60s scene – a set that was originally intended for release by Sonet Records, pressed up in test records for the musicians, then denied release because they felt that they'd already moved past the performance! Yet in the space of over 50 ... LP, Vinyl record album
Grotto (Finland), 2016. New Copy
A hell of a great little trio – one that features the fantastic Jukka Eskola in the lead on trumpet – who you'll know from a range of other funky jazz and hardbop albums over the past decade or so! But Jukka's not the core element here, as the trio's a very equally balanced one – ... LP, Vinyl record album
Black Bombaim & Peter Brotzmann
Lovers & Lollypops/Clean Feed (Portugal), 2016. New Copy Gatefold
One of the headiest Peter Brotzmann albums we've heard in years, thanks to the sound of the Black Bombaim group from Portugal – who play with a guitar-heavy drive that almost takes us back to Brotzmann's Last Exit recordings of the 80s! The group play with a forward energy that takes off ... LP, Vinyl record album
Columbia, Late 60s. New Copy 3LP Gatefold
One of the coolest entries so far in this excellent series of rare material from legendary trumpeter Miles Davis – a set that brings together unheard studio sessions from the years 1966 to 1968 – some tracks from the recordings that gave the world the Miles Smiles, Nefertiti, and Water ... LP, Vinyl record album
ECM, 1973. New Copy (reissue)
One of the avant garde classics in the early catalog of ECM Records – a set that has bassist Dave Holland working with two key bandmates from the Circle group – Anthony Braxton on saxes and flute, and Barry Altschul on percussion – as well as the great Sam Rivers on flute and sax, ... LP, Vinyl record album
Charlie Parker/Modern Harmonic, 1962. New Copy (reissue)
Great music from jazz guitarist Mundell Lowe – a set that was originally written as the soundtrack for an early 60s sexploitation film, Satin In High Heels – but which works equally well as a jazz album on its own! Lowe's in a slightly different setting than on some of his earlier ... LP, Vinyl record album
Roulette/Warner, 1960. New Copy
A lost treasure from Lee Morgan – three superb tracks that were initially issued as one side of a split record done with John Coltrane – at a time when neither of them were really signed to the Roulette Records label! That obscurity led both sets of material to quickly disappear from ... LP, Vinyl record album
Mode/VAP (Japan), 1957. New Copy (reissue)
An extremely great album from Eddie Costa – one of the best of the all-great Mode sessions from 1957! In what is an odd meeting of players, especially for the label, Eddie's piano and vibes meet up with Art Farmer's trumpet, the alto of Phil Woods, bass of Teddy Kotick, and drums of Paul ... LP, Vinyl record album
 



⇑ Top