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Vinyl should be very clean, but can have less luster than near mint.
Should still shine under a light, but one or two marks may show up when tilted.
Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
This is the kind of record that will play "near mint", but which will have
some signs of use (although not major ones).
May have slight surface noise when played.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
One of the fantastic Duke LPs by Bobby Bland from the early 60's, with a rootsy southern soul sound that prefaces later sounds to come out of Stax and Muscle Shoals. Includes the great cut "You're The One (That I Adore)", plus "You're Worth It All", "Your Friends", ... LP, Vinyl record album
One of the few cases in jazz where an oft-played classic still resonates with power! The record itself is a key cap to Miles Davis' already-groundbreaking years of the 60s – a bold step forward, not just for his nascent electric sound, but also for jazz in general – and the benchmark ... LP, Vinyl record album
Mindblowing minimalism – especially the piece by Reich! Cage's "Three Dances" features amplified prepared pianos played by Michael Tilson Thomas and Ralph Grierson, who are joined by Roger Kellaway and Reich on "Four Organs". LP, Vinyl record album