This image is a general representation of the item and the actual product may differ slightly in terms of color shading, logo placement, borders, or other small details. Used items may have various cosmetic differences as well.
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This reserves the item sooner, securing your place in line — which is great when ordering hard-to-find items!
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then checkout as usual.
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Used CD Grade
We have only one grade for non-new CDs at Dusty Groove — "Used CD".
This grade is somewhat all-encompassing, but we choose it because we try to offer
Used CDs in the best shape possible.
When you purchase a Used CD you can expect the disc to be free of all but the
lightest of surface marks, the case to be clean (we often change the cases ourselves),
and the booklet to be in good shape.
Used CDs may show some signs of use but if there are significant details or
defects we will list them underneath the item — just like we do with LPs —
so look there for notes on cutout marks, stickers, promo stamps or other details.
All of our Used CDs are guaranteed to play without skipping or flaws.
If you purchase a Used CD from Dusty Groove, you have 1 week to play it to determine
that it plays correctly —
and if it does not, then you may return it for a full refund.
Features Greg Osby on alto, Jason Moran on piano, Lonnie Plaxico and Calvin Jones on bass, and Eric Harland on drums. Tracks include "Six Of One", "Transparency", "Mentor's Prose", "Vixen's Vance", "Of Sound Mind", and "13th Floor". CD
Great early material from Lou Donaldson – with a hard-hitting bop sound missing from his later work! The tracks are short, raw, and lively – and filled with the kind of pre-hardbop soul that Donaldson was infusing into jazz, along with other players on the material – like Horace ... CD
With Steve Slagle on alto sax, Gary Smulyan on baritone sax, Dennis Irwin on bass, Charles Russo on clarinet & bass clarinet, Lewis Nash on drums, Michael Parloff & Steve Slagle on flute, James Weidman & John Hicks on piano. CD
It certainly was time – time for Jackie McLean to break out of his older bop mode, and hit a whole new level of playing with a tight group of "new thing" compatriots like Herbie Hancock on piano, Cecil McBee on bass, and Charles Tolliver on trumpet! The record isn't as totally ... CD
The Blue Note debut of alto saxophonist Logan Richardson – an up-and-coming player you might know from a few previous records, or his work with Jason Moran, Gerald Clayton, or the Next Collective! This set may well surpass all those other projects, though – as Richardson's really ... CD
In one of the more surprising turns of the 90s, guitarist John Scofield has emerged as one of the better funky players of his generation. Scofield never set out to blow anyone's mind as a funkster – but recent underground live sets with groups like Medeski Martin & Wood and Soulive have ... CD
The title's no lie – because the album is one of the shining jewels of Lou Donaldson's legendary funk years for Blue Note – that second period when he returned to the label at the end of the 60s, and really helped redefine the sound of soul jazz at the time! The format here is very ... CD
Maybe one of the greatest albums ever from trumpeter Kenny Dorham – a set that has him really stretching out as a musician – not just showing off that impeccable sense of tone that marked his important records of the 50s, but also coming up with new ways of phrasing, and a sometimes-uniq ... CD