This image is a general representation of the item and the actual product may differ slightly in terms of color shading, logo placement, borders, or other small details. Used items may have various cosmetic differences as well.
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Used CD Grade
We have only one grade for non-new CDs at Dusty Groove — "Used CD".
This grade is somewhat all-encompassing, but we choose it because we try to offer
Used CDs in the best shape possible. All of our Used CDs are guaranteed to play
without skipping or flaws. If you purchase a Used CD from Dusty Groove,
you have 1 week to play it to determine that it plays correctly — and if it does not,
then you may return it for a full refund.
With our Used CDs, you can expect the disc to be free of all but the lightest of
surface marks — clean, and not dirty at all. You can also expect the case to be
clean (we often change the cases ourselves — putting fresh cases on Used CDs we
handle) — and you can expect the booklet to be in good shape, unless noted
otherwise. We will list any specific details/defects underneath the item — so
look for notes on cutout marks in the case, stamps on the barcode, or details like that.
An excellent overview of the early Wallace Roney work for Muse Records – brilliant sessions that helped Roney redefine the sound of the trumpet for a whole new generation! Roney's sound was one of the boldest, brightest on the label – and on records like this he really shines – ... CD
Very early work from Herbie Mann – delivered with a lot more fire than some of his later sides! The album's kind of a blend of bop and the 50s chamber jazz mode from which Mann emerged – played with a strong combo that includes Eddie Costa on vibes, Joe Puma on guitar, and Phil Woods ... CD
Underground grooving from trumpeter Wallace Roney – one of the excellent albums he recorded for the Muse label in the 90s – a wonderfully well-rounded set that's a tremendous tribute to his tone! The group here is every bit as great as Wallace's work in the frontline – Ravi ... CD
A long overdue follow-up to Curtis Fuller's first Blues-Ette session for Savoy – one that was recorded 34 years after the original! The passage of time hasn't dampened the genius of the players, though – as Fuller's still tremendously in charge of his talents here, and is working with ... CD
Well-crafted work from trumpeter Philip Harper – a set that's almost got that "jazz plus" feel of some of the Muse Records dates of the time – an extra undercurrent of soul, even though the album's a pretty straight session overall! The arrangements are especially well-penned ... CD
The title gets it right – as these recordings are definitely some of the first-ever by Miles Davis – some done under his own name, some as a key sideman with other artists! The first 8 cuts feature Davis with group of his own, featuring his famous boss of the time, Charlie Parker, on ... CD
One of the few albums issued under the name of bassist Slam Stewart – and a great testament to the genius of the player on his instrument in the days after his work with Slim Gaillard! The style here is much straighter jazz than Slam's work with Slim – and the numbers are mostly in a ... CD
The one and only album that Sun Ra ever cut for the Savoy label – a beautifully understated session that mixes more conventional jazz with some particularly Ra-like touches! The group on the set is extremely tight – especially the horn work of John Gilmore, Marshall Allen, and Pat ... CD