This image is a general representation of the item and the actual product may differ slightly in terms of color shading, logo placement, borders, or other small details. Used items may have various cosmetic differences as well.
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Used CD Grade
We have only one grade for non-new CDs at Dusty Groove — "Used CD".
This grade is somewhat all-encompassing, but we choose it because we try to offer
Used CDs in the best shape possible. All of our Used CDs are guaranteed to play
without skipping or flaws. If you purchase a Used CD from Dusty Groove,
you have 1 week to play it to determine that it plays correctly — and if it does not,
then you may return it for a full refund.
With our Used CDs, you can expect the disc to be free of all but the lightest of
surface marks — clean, and not dirty at all. You can also expect the case to be
clean (we often change the cases ourselves — putting fresh cases on Used CDs we
handle) — and you can expect the booklet to be in good shape, unless noted
otherwise. We will list any specific details/defects underneath the item — so
look for notes on cutout marks in the case, stamps on the barcode, or details like that.
Classic work by one of the biggest players of the early Verve years – the incredible Flip Phillips, a very swinging tenor player! The album's got Flip working with small and medium sized bandst, with players that include Bill Harris, Billy Bauer, Harry Edison, and Hank Jones. Tracks are ... CD
Flip was one of the earliest stars on the Verve/Clef/Norgran labels – a true original, with a hard swinging tenor sound that really found its place with producer Norman Granz. The pair drifted apart as the 50s wore on, but Flip's returned to Verve for this recent session – a pretty ... CD
An incredible document of a key genre in 50s jazz on record – the jam session tradition, recorded beautifully for Verve records by the legendary Norman Granz! The idea of a jam session was nothing new at the time, of course, but it was mostly a live phenomenon – known to players from ... CD
We love Oscar Peterson with strings – a setting he never got to use that often, given the popularity of his famous trio recordings! When Oscar gets set up with strings, he seems to play even more freely than with a combo – let loose from rhythm a bit more than before, and instead ... CD
An early George Benson groover from the A&M years of CTI – a set that's quite different than his famous 70s sets, with a really unique sound overall! The arrangements here are by Latin Soul maestro Marty Sheller – who brings some of the vibe to the set that he brought to his 60s ... CD
Surprisingly groovy work from Dizzy Gillespie – an album of tunes from Hollywood films, but all played with that lively Gillespie bounce of the time! Tunes are mostly short, and feature arrangements by Billy Byers – with Dizzy's trumpet in the lead, and a nicely groovy sound overall ... CD
Easy-going Verve swing at its best – the kind of small group session that let a player like Harry "Sweets" Edison shine in a way that he didn't always get to do in a larger group! For this set, Edison's joined by Ben Webster on tenor sax, Barney Kessel on guitar, Jimmy Rowles on ... CD